Sixto Rodriguez was born on the 10th July 1942, and his amazing story was the subject of the Oscar-winning documentary “Searching For Sugar Man”.
Rodriguez was influenced by a variety of artists including Frank Sinatra, Bob Dylan, Jimmy Reed, Jefferson Airplane and many others. He has also been a great influence on artists from various genres and he has been covered by musicians in the Jazz, Reggae, House, Electronica, Hip Hop and Rock fields.
This exclusive Mixcloud Select mix is a small tribute to this great and humble man who has inspired many, many people worldwide including myself.
From the simplistic, yet instantly recognisable bass guitar intro of I Wonder, to the last fading echoes of Forget It, this was a show that enthralled everyone from the die-hard old fans with their balding heads and beer paunches to the new virgin devotees.
From sweet songs to street songs,
from bitter to beautiful,
from minor keys to metal mayhem,
from tear-jerker to tear-it-up,
from disgusting songs to rock anthems…this was truly a magic show of vast proportions.
Rodriguez has not released new material in over 25 years, he has no chart-topping singles, yet he opens to a standing ovation – and everybody sings along to all the songs.
Colin Taylor from KFM radio opened the show by shouting with great enthusiasm:
“Cape Town, put your hands together and welcome a true legend on stage – Rodriguez!”
Reuben Samuels started a slow drum beat and when Graeme Currie introduced that classic bass line (de-de de-de de-dum) the crowd went wild in instant recognition and when The Man slipped quietly onto the stage, the Velodrome stood up in adoration for this long-lost legend. I Wonder was wonderful and after the song, Rodriguez just stood and stared at the audience in awe.
Only Good For Conversation was done hard and heavy with great guitar from Willem Möller.
“..you’re so proper and so cute” sang Rodriguez with a smile in his voice.
Can’t Get Away was superb and when he started to sing the second verse again by mistake, the band supported him and the audience forgave him.
All the favourites followed with the arrangements staying very close to the originals and the crowd hanging on every word. Tonia Selley from The Pressure Cookies and Big Sky provided superb backing vocals throughout.
A highlight was the solo rendition of “A Most Disgusting Song” sung with great humour. “There’s someone here who’s almost a virgin I’m told” was met with much laughter.
And when he sang “…your government will provide the shrugs” a responsive chord was hit, even though this song was written in 1970!
Rodriguez doesn’t say much, he lets his music and words speak to us, but he did give us one message:
“I want to wish you the best of luck
in everything you do,
you’re gonna do it,
you’re gonna solve it,
you’re gonna heal ’em,
you’re gonna do it”
– perceptive and profound words from this poet and prophet.
And then into an absolutely incredible blues-rock version of Climb Up On My Music. Willem Möller burnt up his fretboard with a classic rock guitar solo and Russel Taylor played a jazzy-blues keyboard solo which left us breathless.
Rodriguez slipped away as the band ended the song, but soon returned to perform a 3-song encore starting with Sugar Man, then Establishment Blues and ending with the perfect show-closer Forget It with those poignant words “Thanks for your time“.
“Thank you, Cape Town” sang Rodriguez.
No, thank YOU, Rodriguez – the mystery and myth may be gone, but the music and memories will live forever and the magic of that night will stay with us always.
— Brian Currin
It’s hard to type when one’s feet refuse to stay on the ground. I still keep floating around from the euphoria of seeing two awe-inspiring concerts on the weekend, both by the same ou. I’m talking of course about Rodriguez who finally performed to his many South African fans and it’s difficult to decide who was more overawed by the confrontation.
Rodriguez had not performed since 1981 and even those concerts, in Australasia, did not nearly attract the same fans as the SA concerts, so, when Rodriguez walked out onto the stage at the Bellville Velodrome, he almost staggered backwards from the roar and vibes that poured onto the stage from the first night crowd. The performance that Friday night was fine if a little patchy but no-one seemed to notice. Rodriguez forgot the odd line and on a few occasions played at a different tempo to the band, who very professionally managed to plaster over these musical cracks.
The second concert on Saturday night, however, was wonderful. A far larger crowd arrived due obviously to a strong local word-of-mouth promotion. Rodriguez and his band were prepared and well-rehearsed and once again the crowd maintained a remarkable level of energetic approval and non-stop singing to each and every song. All the age groups were represented, from 60-year-olds to young children, all caught up in the magic of the moment, signifying indisputably that Rodriguez’s music has passed the test of time and is not simply a ’70s phenomenon.
The response to these concerts was repeated throughout the tour. The two concerts in Johannesburg at the Standard Bank Arena were sold out and generated the same fanatical and ecstatic reaction. One of the Durban dates was replaced by a show at the Carousel complex outside Pretoria and that too was full. There is a strong feeling that this remarkable tour could be the spark that hopefully kick-starts Rodriguez’s long overdue world-wide recognition. Through the Internet, his fans all over the world have been closely monitoring these events in South Africa and requests for tours have been received from as far afield as Australia, Canada, England and the USA. Some United States newspapers have already started making enquiries, sensing a story in all of this!
Rodriguez is a humble, intelligent and sensitive man who deserves all the recognition he will no doubt be receiving. After both the Cape Town shows, he mingled with the assorted press and fans who had lingered backstage to meet him and shook hands, hugged, spoke to and signed autographs for each and every one of them until he was satisfied that no-one had been overlooked. As they say in Yiddish, he is really a mensch!
I am still quite overwhelmed by the whole Rodriguez situation. We all believed he was dead but he most certainly wasn’t and here he was recreating his music that meant so much to so many people for so long. I will always remember singing along to all those songs that are so deeply embedded in my/our memories, but three special memories stand out for me. The first was seeing Rodriguez’s two daughters, Eva and Regan, sitting at the foot of the stage watching their father perform. Eva was a teenager when Rodriguez toured Australia and Regan was much younger. The pride and joy that radiated in their faces was quite beautiful.
The second was the guitar solo by Willem Möller that turned the band’s jammed improvised version of ‘Climb Up On My Music’ into the high(est)light of a concert packed with highlights. The third image I have is of Arno Carstens, lead singer with the Springbok Nude Girls, standing transfixed at the base of the stage watching Rodriguez perform. On his T-shirt was the simple yet ironic slogan that seemed to sum up the whole evening. It read: “Dead people are cool!”
The documentary isn’t only about one man’s humility and passion to do that which he loved and provide a decent living for his family. It’s also a story about dedication and commitment; Sugar worked tirelessly on the Rodriguez website and to connect the singer with South Africa. He and Brian Currin did so much for South African music at the time, setting up the SA Rock Digest that took advantage of the internet in the “early days.” Journalist Craig Bartholomew Strydom, who was doing his own searching too, also added his persistence and tenacity to the story. All essential elements of this feel-good and inspiring story. Topping it off, is the Swedish director himself, who worked for many years on the project, and didn’t even have the funds to finish it so did the music and graphics himself. He just kept going, believing and continuing when he could. For that, this is a story the world deserves to see over and over. With or without an Oscar win.
What a wonderful evening! Rodriguez rocked the Whale Hall in Hartenbos and despite some comments to the contrary I think the new arrangements of his songs are stunning. The saxes really drive songs like ‘Climb Up On My Music’ and ‘Only Good For Conversation’ and that Rock and Roll medley (‘Shake Rattle & Roll’, Bob Dylan’s ‘Subterranean Homesick Blues’ & ‘Hound Dog’) was pure energy from the band and Rodriguez.
I particularly enjoyed the long trippy interlude during ‘Sugar Man’ when Pete Saunders (ex-Dexy’s Midnight Runners) played this real spacey, jazzy piano sound, a bit like Mike Garson used to do for David Bowie in the 70s.
The hall wasn’t full, but the crowd were so enthusiastic, I kept looking back to check where all the cheering was coming from. Rodriguez spent a lot of time smiling and thanking the Big Town Playboys. And he thanked us in Afrikaans; “Baie Dankie”, he said, “…for keeping me alive”. And he came down to the front of the stage a few times to shake hands and he smiled broadly when a girl in the audience shouted: “Rodriguez I love you”.
Rodriguez hasn’t ever recorded any cover versions, and on his last SA tour in 1998 he played only his own music. But this time around he showed what a true legend he really is by making Midnight Oil’s ‘Redneck Wonderland’ his own, then adding bits of ‘The Letter’ and ‘Unchain My Heart’ in the middle of it.
At the soundcheck in the afternoon they played ‘Unchained Melody’ as well but it didn’t appear in the evening’s performance.
A medley of Vanessa Williams 1992 hit ‘Save The Best Till Last’ and ‘What The World Needs Now Is Love’ (written by Hal David and Burt Bacharach and a hit for Jackie deShannon in 1965) was dedicated to the victims of last week’s terrorist attacks… a very moving moment.
After the gig Rodriguez sat and signed autographs until everybody had gone home. A great night in the company of great musicians. Thanks for your time, Rodriguez.
— Brian Currin, 18 September 2001
Medley: Save The Best Till Last (Vanessa Williams) / What The World Needs Now Is Love (Jackie DeShannon) dedicated to the victims of the World Trade Center and Pentagon terrorist attacks, 11th September 2001
WordPress.com is the perfect website solution for people who want to:
promote their music
connect with their fans
do their own updates
showcase their videos
showcase their photos
showcase their music
Some Questions People Ask
Q. What are the benefits of WordPress.com?
A. There are many benefits, here are some of the main ones:
Free web hosting
Free web themes
Free Content Management System
Ability to include own header and background on most themes
YouTube, Soundcloud, Google Maps, etc can be embedded
Contact Form – helps reduce spam
Social Media feeds can be embedded
Blog can update Social Media platforms automatically
Premium themes and upgrades available at reasonable prices
Q. Aren’t websites expensive?
A. They don’t have to be. Depending on your requirements, you really don’t need to break the bank. A WordPress.com website can be set up without incurring costs for web hosting, graphic design and web development. Read more.
Q. What is the difference between WordPress.com and WordPress.org?
A. Basically a WordPress.com website is ideal for people who want to get on with focussing on running their business.
WordPress.org is great if you are happy to pay for web hosting and pay a web developer for their time. Read more.