Beat Speak, 14th March 1998

Hi Wonder!

by Sugar

It’s hard to type when one’s feet refuse to stay on the ground. I still keep floating around from the euphoria of seeing two awe-inspiring concerts on the weekend, both by the same ou. I’m talking of course about Rodriguez who finally performed to his many South African fans and it’s difficult to decide who was more overawed by the confrontation.

Rodriguez had not performed since 1981 and even those concerts, in Australasia, did not nearly attract the same fans as the SA concerts, so, when Rodriguez walked out onto the stage at the Bellville Velodrome, he almost staggered backwards from the roar and vibes that poured onto the stage from the first night crowd. The performance that Friday night was fine if a little patchy but no-one seemed to notice. Rodriguez forgot the odd line and on a few occasions played at a different tempo to the band, who very professionally managed to plaster over these musical cracks.

Rodriguez, Sugar and his family and Eva
Rodriguez, Sugar and his family and Eva

The second concert on Saturday night, however, was wonderful. A far larger crowd arrived due obviously to a strong local word-of-mouth promotion. Rodriguez and his band were prepared and well-rehearsed and once again the crowd maintained a remarkable level of energetic approval and non-stop singing to each and every song. All the age groups were represented, from 60-year-olds to young children, all caught up in the magic of the moment, signifying indisputably that Rodriguez’s music has passed the test of time and is not simply a ’70s phenomenon.

The response to these concerts was repeated throughout the tour. The two concerts in Johannesburg at the Standard Bank Arena were sold out and generated the same fanatical and ecstatic reaction. One of the Durban dates was replaced by a show at the Carousel complex outside Pretoria and that too was full. There is a strong feeling that this remarkable tour could be the spark that hopefully kick-starts Rodriguez’s long overdue world-wide recognition. Through the Internet, his fans all over the world have been closely monitoring these events in South Africa and requests for tours have been received from as far afield as Australia, Canada, England and the USA. Some United States newspapers have already started making enquiries, sensing a story in all of this!

Rodriguez is a humble, intelligent and sensitive man who deserves all the recognition he will no doubt be receiving. After both the Cape Town shows, he mingled with the assorted press and fans who had lingered backstage to meet him and shook hands, hugged, spoke to and signed autographs for each and every one of them until he was satisfied that no-one had been overlooked. As they say in Yiddish, he is really a mensch!

I am still quite overwhelmed by the whole Rodriguez situation. We all believed he was dead but he most certainly wasn’t and here he was recreating his music that meant so much to so many people for so long. I will always remember singing along to all those songs that are so deeply embedded in my/our memories, but three special memories stand out for me. The first was seeing Rodriguez’s two daughters, Eva and Regan, sitting at the foot of the stage watching their father perform. Eva was a teenager when Rodriguez toured Australia and Regan was much younger. The pride and joy that radiated in their faces was quite beautiful.

The second was the guitar solo by Willem Möller that turned the band’s jammed improvised version of ‘Climb Up On My Music’ into the high(est)light of a concert packed with highlights. The third image I have is of Arno Carstens, lead singer with the Springbok Nude Girls, standing transfixed at the base of the stage watching Rodriguez perform. On his T-shirt was the simple yet ironic slogan that seemed to sum up the whole evening. It read: “Dead people are cool!”

The man behind the search for “Sugar Man”

South African Tour 1998

Tour Programme | Tour Dates | Set Lists | Reviews | Tour Diary |
Photo Gallery | Live Fact CD | Musicians | Dead Men Don’t Tour Film

9th March 1998: Standard Bank Arena Johannesburg

The Set List

  1. I Wonder
  2. Only Good For Conversation
  3. Can’t Get Away
  4. Crucify Your Mind
  5. Jane S. Piddy
  6. To Whom It May Concern
  7. Like Janis
  8. Inner City Blues
  9. Street Boy
  10. A Most Disgusting Song
  11. Halfway Up The Stairs
  12. I Think Of You
  13. Rich Folks Hoax
  14. Climb Up On My Music
  15. Sugar Man
  16. Establishment Blues
  17. Forget It

The Star Tonight 12 March 1998

Time and time again

by Peter Feldman

The legend that is Rodriguez simply couldn’t believe his eyes or his ears at the fanatical response he evoked at his opening Johannesburg concert on Monday. I don’t know who was more awestruck, the performer or his capacity audience. He couldn’t stop grinning. The minute he stepped onstage, in a smart dress-suit and clutching his guitar, the arena exploded. And as he casually strummed the opening bars to I Wonder, the crowd rose to their feet in sheer adoration. It was a magical moment in music, and an eerie kind of a time-warp, in which this folk-rock icon rekindled a string of memories of an age of stirring protest. The songs have not dated and have as much relevance today as they did when Vietnam, the draft and campus drugs were high on the political agenda.

Young people, many not yet born when Rodriguez stormed the barriers in South Africa, one of the few countries to embrace the man and his music, sat transfixed as the hits unfolded. The voice has not been corroded by time – only made better. The hardcore cynicism, the angst and the disillusionment remain dramatically intact. Sugar Man, Inner City Blues, Cnrcify Your Mind, Jane S Piddy, the highly emotive Street Boy, Rich Folks Hoax, Slip Away and Establishment Blues formed the core of a concert nobody ever dreamt would actually happen here in Gauteng. After all, the rumour was the man was dead … how wrong could one be. Rodriguez was so delighted to be onstage, and so overwhelmed by the occasion, that he kept asking for the house lights to be turned up to remind himself it was not an illusion. He also took great delight in shaking hands with various members of Big Sky, which gave him solid support throughout.

Big Sky, with an energetic Steve Louw at the helm, provided a tight set with a nicely honed country-rock edge. They waded through many of their hits, including Waiting For The Dawn, Another Country and Get Down With Mr Green, and introduced the right mood for a happening.


South African Tour 1998

Tour Programme | Tour Dates | Set Lists | Reviews | Tour Diary |
Photo Gallery | Live Fact CD | Musicians | Dead Men Don’t Tour Film

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