Dead Men Don’t Tour, Rodriguez in South Africa 1998 (TV Documentary)

This documentary was shown on South African Television this week, 20 years ago.

Footage from this documentary features strongly in the Oscar winning film, Searching For Sugar Man.

Dead Men Don’t Tour

Directed by Tonia Selley and featuring Big Sky, “Dead Men Don’t Tour”, was first broadcast on SABC 3 at 9.30pm on the 5th July 2001 just after ‘Ripley’s Believe Or Not’.

This film features wonderful concert footage, backstage antics, interviews with Craig Bartholomew Strydom and Stephen “Sugar” Segerman, Rodriguez and his family, the promoters, the fans and the musicians.

All live footage was filmed at the concerts in Pretoria, Durban and the Blues Room in Johannesburg.

The soundtrack for the documentary is based on the Live Fact CD with video collages from the various performances. The concert footage is linked with interviews, backstage antics, rehearsals, etc.

  1. I Wonder
  2. Inner City Blues
  3. Jane S. Piddy
  4. Sugar Man
  5. A Most Disgusting Song
  6. Like Janis
  7. Establishment Blues
  8. Climb Up On My Music
  9. I Wonder by Generation EXT (filmed during the studio recording)
  10. Forget It

Produced by Incha Productions
Executive producers: Georgina Parkin and Charles Watson
Directed by Tonia Selley
Edited by Cathy Winter

March 1998 (left-to-right): Willem Moller, Sixto Rodriguez, Tonia Selley, Steve Louw, Graeme Currie, Reuben Samuels, kneeling front: Russel Taylor
March 1998 (left-to-right): Willem Moller, Sixto Rodriguez, Tonia Selley, Steve Louw, Graeme Currie, Reuben Samuels, kneeling front: Russel Taylor

The Cold Facts…. A Journey On The Road Ahead, part 5 by Steve Louw

Tony Visconti wore leather pants, his greying hair slicked back. I was straight out of two years of smoky, sweaty clubs and other dives. He was straight out of stardom, working with David Bowie. I had been asked by my record label to look after him during his trip to Johannesburg to record local stars, Ymage.

Steve Louw 1990
Steve Louw 1990

At the time, I was working on the songs that would become “Waiting for the Dawn” and Kevin was coming back to South Africa to produce it. He had been away in Australia for a year making a name for himself as a recording engineer.

Visconti had split his recording project into two parts, and Kevin and I would go to Cape Town with Godfrey Mcinga, Jimmy Mngwandi and Don Laka to cut the tracks of the album’s songs at UCA studio, while he went back to London. He was demanding. I was a bad gofer and was glad to be back at UCA’s studio with the three great players we had met in Joburg, making music. I felt good about the songs, and we, Kevin and I, thought that we could break through with a song like “Waiting for the Dawn”. Kevin was booked to fly back to Australia, via London, once the album was mixed by Shelly Yakus (Tom Petty, Patti Smith).

Steve Louw & Big Sky – Waiting For The Dawn

I sat at the bar having a beer with my brother Ardi, before leaving for London. He had introduced me to the music of Lou Reed, Janis Joplin and Led Zeppelin, and I had highjacked his Gallotone guitar and learned to play out of Alfred’s Chord Book. He looked into my eyes, saying: “Looks like you are going to make it, Boetman, I’m proud of you.” We had had a tumultuous fist-filled relationship, but we were finding our way back to each other again, and I felt like he thought my music had some worth. “Thanks, I think so too,“ I replied. It would be the last time I looked into his eyes.

Kevin put his arm around my shoulders as we walked through Hyde Park. I felt broken and numb. I had just heard that, as we flew to London, the 747 plane my brother was flying back to South Africa on, had blown up near Mauritius. It felt like the world had stopped turning. Everything seemed still and I couldn’t hear any music.

In late October 2011, I was journeying through The Grand Canyon on a raft atop a raging Colorado River with a group of friends who were serious adventurers, all about 20 years my junior. They had done first descents of remote Alaskan rivers, skied down 14 000-foot mountain peaks in Wyoming and kayaked over 200-foot waterfalls in Patagonia. I was glad to be invited along and glad there was a guitar to play every night.

This trip was a walk in the park for them, but serious adventuring for me. I felt I was deep near the Earth’s beating heart’s core, and for 21 days she and I were one. I left the river with my mind wiped clean and the rhythm of it in my heart.

Steve Louw – Crazy River

When I heard “Crazy River”, playing over the studio speakers 10 years later, I was right back in the Canyon carved by the Colorado River. I could see the night sky and full moon; I could feel the Earth’s heartbeat. The song’s beat was the Earth’s heartbeat, the rivers were the Colorado, Amazon and Nile combined. Wild, free, places always moving from the mountains towards the sea of change and greater possibility.

Spotify Playlist: The Cold Facts…. A Journey On The Road Ahead, part 5

Read the Complete Series


Steve Louw

Steve Louw is a South African singer-songwriter and rock musician. Winner of Best South African Rock Act, and a member of the SA Rock Hall of Fame, Steve is one of SA rock’s most talented and unassuming singer-songwriters. He and his band Big Sky appeared on stage with Rodriguez on the sold-out South African tour in 1998.

Top Tracks by Steve Louw

The Cold Facts…. A Journey On The Road Ahead, part 3 by Steve Louw

Little Steven - Voice Of America
Little Steven – Voice Of America

It was a hot summer in 1984 in Johannesburg when Little Steven (aka Miami Steve van Zandt) looked straight into my eyes through the lens of my camera. He was listening to the live recording of my band, All Night Radio, and I could see he was into it. His leopard print coat, snakeskin boots and silk bandanna were all too hot for the Johannesburg summer heat, but he looked like the coolest person I had ever seen. 

He was in South Africa to promote Voice of America, his second album. He had recently quit the E-Street Band to launch his solo career and I was interviewing him for a local newspaper. We had been talking for hours about studios, recording and his work as a producer with Bruce Springsteen, Southside Johnny and Gary U.S. Bonds, and his two Little Steven albums, Men without Women, and Voice of America.

The UN cultural boycott of South Africa was in place, and he was visiting South Africa to see for himself what was happening in the country. Voice of America was a political album, and tracks like “Checkpoint Charlie” and “Los Desaparecidos” dealt with the regimes of East Germany and Argentina. The Sun City album would become Little Steven’s natural progression of that work, and after Peter Gabriel’s “Biko”, one of the most significant protest songs against apartheid.

Little Steven’s Sun City video

I thought Steve would be cool with helping me get further up the road. He was, and he suggested we record with the engineer who had just finished his new album, and which I thought sounded great. Six weeks later we were in UCA studios in Cape Town with John Rollo, the engineer on Voice of America, and long-time associate of The Kinks. I had left NYC, figuring that recording and gigging with the great musicians I knew back home would break us through to some sort of recognition. John knew how to make a live rock ’n’ roll record, and we were ready, after a year of gigging in clubs. We stripped the UCA studio bare, brought up the freight lift, put the drums near its metal mouth, stripped off the toms and we rocked. Ten days later we were mixing at the House of Music New Jersey, and in August 1984 All Night Radio made its radio airplay debut.

All Night Radio (left-to-right): Rob Nagel, Steve Louw, Nico Burger, Richard "Dish" Devey, Pitchie Rommelaere
All Night Radio (left-to-right): Rob Nagel, Steve Louw, Nico Burger, Richard “Dish” Devey, Pitchie Rommelaere

We brought in our great drummer, Richard “Dish” Devey along for the tour and rehearsed on the stage of the now-defunct Three Arts Theatre where I had seen Ray Charles, José Feliciano and Tina Turner from backstage, with my school buddy, Dereck Quibell, the theatre owners’ son. 

We hit the road for a national tour, and from where I was sitting, behind the wheel of a VW panel van, the future looked great.

FEBRUARY 2019: “You’ve got songs, Stevie, and before I see you you’ll write more. Just be in Nashville the last three days of February next year, and we’ll make a record”. I put down the phone. Kevin (Shirley) was in Abbey Road studios with Joe Bonamassa, and I had a year to get myself together before leap year 2020 rolled around. The music started playing in my head again.

Kevin Shirley
Kevin Shirley
The Cold Facts…. A Journey On The Road Ahead #3

Read the Complete Series


Steve Louw

Steve Louw is a South African singer-songwriter and rock musician. Winner of Best South African Rock Act, and a member of the SA Rock Hall of Fame, Steve is one of SA rock’s most talented and unassuming singer-songwriters. He and his band Big Sky appeared on stage with Rodriguez on the sold-out South African tour in 1998.

Top Tracks by Steve Louw

The Cold Facts…. A Journey On The Road Ahead, part 2 by Steve Louw

All Night Radio (early 80's) with Steve Louw (centre)
All Night Radio (early 80’s) with Steve Louw (centre)

AUGUST 1981: The Stones’ ‘Start Me Up’ echoed off every wall, and blared out of every cab window and shop door in the hot August weather in New York City. Their groove and the pulse of the city seemed to be superimposed, laying down a thick backbeat. Keith Richards’ guitar owned the city. I had listened to that sound since buying the seven-single of ‘Satisfaction’. His groove felt like the heartbeat of Africa. His sound took me to Elvis and Duane Eddy.

I had arrived from Cape Town, with a guitar, demos of my songs and an intro to legendary engineer and producer Phil Ramone (Paul Simon, Billy Joel, Bob Dylan). I knew I was closer to the heart of the music I loved, than ever before.

Phil owned A & R Recording Studios, where engineers Shelly Yakus and Bob Ludwig began their careers. Our paths would cross, but now as I listened, my music filled the control room of the legendary studio where Dylan had sung the songs which would become the masterpiece Blood On The Tracks. I knew Phil recognised that I still had a long way to go. That was OK, I wasn’t in a hurry, and just being there in that room was good enough for me.

A & R Recording, Inc. Analogue 1/4 inch tape master
A & R Recording, Inc. Analogue 1/4 inch tape master

NEW YORK CITY March 2020. The 5th March 2020 was our wedding anniversary. I had just got back to NYC from Nashville recording the songs that would become the album ‘Headlight Dreams‘ with Kevin ‘The Caveman’ Shirley. We had made five albums together, and been friends since playing small Cape Town clubs in the early 1980s with our bands ‘All Night Radio’ and ‘The Council’. Kevin had gone on to become a world-famous producer and engineer (Aerosmith, The Black Crowes, Led Zeppelin), but he had always looked out for me, and we had had a great time making records together.

I looked at my phone and saw an email headed: Bob Ludwig Master. A wedding anniversary present from Kevin! I clicked on the link and ‘The Wind in Your Hair’ played out across the NYC winter streets. “What a great song, vocal and band, this album sounds extra real like you-all were having a lot of fun” was the note with the link from Bob.

Steve Louw – Wind In Your Hair (feat Joe Bonamassa)

I had written the song after spending a few months alone looking after our farm, and Erna being back in Cape Town looking after our young children. She had decided to make the six-hundred-kilometre road trip alone to come and see me. Walking down the farm road I saw the dust of a car approaching and then stop. Squinting into the sunlight I realised who it was, and my eyes filled with tears. The most beautiful radiant smiling eyes looked back at me.

Forty years later the NYC streets seemed as though they were welcoming me back. It would be the last few days before the city would be locked down, and a global pandemic would strike. I walked out on the streets thinking of myself as the 25-year-old kid trying to hustle his way into a music career. I passed the building where the club ‘The Bottom Line’ had been and where I had seen so many riveting performances by artists I had followed for years from South Africa. I crossed Washington Square and headed uptown to where Phil’s studio had been.

It was great to be alive.

The Cold Facts…. A Journey On The Road Ahead #2

Read the Complete Series


Steve Louw

Steve Louw is a South African singer-songwriter and rock musician. Winner of Best South African Rock Act, and a member of the SA Rock Hall of Fame, Steve is one of SA rock’s most talented and unassuming singer-songwriters. He and his band Big Sky appeared on stage with Rodriguez on the sold-out South African tour in 1998.

Top Tracks by Steve Louw

BELOVED SOUTH AFRICAN SINGER / SONGWRITER STEVE LOUW RELEASES NEW VIDEO / SINGLE, “CRAZY RIVER”

Steve Louw

April 6 2021, Capetown, SA: Today, much-revered South African singer/songwriter/guitarist, Steve Louw releases, “Crazy River,” the first track from his forthcoming album, Headlight Dreams to be released in May via BFD/The Orchard. 

Steve Louw - Headlight Dreams

The song itself is an upbeat, transcendent ode to the beauty of a river, its timelessness against the impermanent world it runs through, and the aspects of ourselves that long to be just like it. Louw, with a rich lifetime of music making under the belt, gets it and embraces the moment. The video puts him occasionally front and center, singing and playing with millennial enthusiasm, yet with the confidence that experience brings, his image juxtaposed with footage and stills of lives lived large against a backdrop of mountains, valleys and rapids. So lush is it all that one could just jump at the screen before getting a hold of themselves. 

Says Louw of the song, “I once took a long canoe trip down the Colorado River, through the Grand Canyon and out again. It was a very spacy spiritual place and it felt like I was on a journey to the middle of the earth. I wrote this after the trip. On one level the song is about the river trip and the journey deep inside the raw power and beating heart of nature, but it also reflects on time, our time on Earth, how we experience it, and how the bonds of deep personal relationships with our fellow travellers nurture our souls. I played the acoustic guitar using a few African-style riffs and the band picked up on that feel. Guitarist Rob McNelley contributed beautiful slide guitar.” 

From the moment he jumped into the South African music scene in the eighties, he was swimming with the best of em. At that time, he fronted All Night Radio, a group that would release two hit records, The Heart’s the Best Part (1984) and The Killing Floor (1986) and establish Louw as a force to be reckoned with on the SA music scene. But in 1990, Steve achieved legendary status after forming Big Sky, who won the honour of Best South African Rock Act in 1996 and were subsequently accepted into the SA Rock Hall of Fame. In 1998, they supported Rodriguez on tour and were incidentally featured in the film, Searching For Sugar Man.

In 2003, Steve collaborated with Dave Stewart (Eurythmics), Anastacia and Brian May (Queen) on a song called “Amandla” that was performed for the Madiba’s 46664 concert in Cape Town by Beyonce and Bono.

He also played and recorded with the aforementioned Rodriguez, Blondie Chaplin and Kevin Shirley, who produced Headlight Dreams. The new album also features a guest spot from heroic guitarist Joe Bonamassa on “Wind In Your Hair.”

Stream/download “Crazy River” here: https://orcd.co/SteveLouwCrazyRiver 

Pre-save/pre-add/pre-order Headlight Dreams here: https://orcd.co/SteveLouwHeadlightDreams 

For more information, please visit: http://stevelouw.com/

Twitter @stevelouwmusic 

And for any media inquiries, please contact: 

Martin Myers / Jason Curtis 

083 448 4475 / 082 555 5993

Steve Louw

Sugar Man by Riskology Radcliffe

Dear Sixto and Team

My name is Jay, I am a rapper living in the UK, and I was born in Zimbabwe and grew up in South Africa in the post-apartheid, ‘Searching for Sugar Man’ era. I spent my youth watching Cheech and Chong films and Listening to Sixto in various shebeens around Johannesburg, smoking good weed.

I unfortunately ended up in Jail which led me to the UK, upon my release. I then followed a path of music to steer my life away from drugs and the perils that come with it. I decided to do a ‘Sugar Man’ remix, which is an ode and a story of my perils with a modern era take, with the original chorus to keep authentic and change the verse to rap style vocals.

I have registered and released the remix and obviously Sixto is the beneficiary of this, which I am more than happy with. I am writing to request an opinion or a short moment for feedback. The album and song in particular were such a huge part of my up-bringing and being from South Africa, where the story is Legend, I was hoping I may get a moment of feedback.

In truth it took me over ten years to complete, as one, I was on a journey (sure you can relate) and two, I wanted it to be a worthy offering. There were various different versions made between bpm’s etc, however it took ages to get to the point where I thought I would one, hopefully keep the essence and make Sixto proud however and  two, still reach this modern generation. So, to get some feedback would be awesome, please.

I also hope I have not offended anyone in this process, as  it was done with pure love and inspiration in mind and,  as I mentioned, Sixto is the beneficiary who I am happy to send info relating to.

I also have a cool artwork animation on my insta profile (@riskology) where the artwork of the table and menu all become interactive and trippy.  I have attached a short animation of the artwork that my biz partner, Rowan L Designs, made for the release , it took her years to perfect and this artwork took hours/months to produce as each item is an individual layer and all parts interact, she did an amazing job.

See artwork at: https://drive.google.com/file/d/1tyN5tHuiecuPyFW9_pkHIp9XE5oI48VJ/view

Anyway – I hope this email finds you all well in these crazy times. And, on behalf of my whole generation, Thank You for the love, light, and inspiration, I look forward to hearing back from you 1love,

Jay Radcliffe


Email: 1riskology@gmail.com

Lockdown Blues – The Bottom Barrel Blues Band

Featuring Robin Auld, Steve Walsh, Simon Orange, Tonia Möller, Schalk Joubert, Willem Möller, Kevin Gibson, Mauritz Lotz & Nico Mac

“Lockdown Blues” is a blues song created and performed by the Bottom Barrel Blues Band – a collaboration of prominent South African contemporary musicians. It was recorded individually by the artists in isolation during the 2020 Covid-19 pandemic lockdown.
True to the nature of the blues, “Lockdown Blues” is an uplifting, bitter-sweet tune depicting the challenges of life under lockdown regulations. It is produced by the Cape Town Music Academy (CTMA), a Cape Town based not for profit company, creating opportunities for local contemporary musicians.

During the Covid-19 pandemic many musicians have experienced a harsh decline or complete halt in income due to lockdown regulations and the ban on public gatherings. But despite these challenges, musicians will always express themselves, practice their craft and collaborate.
We therefore urge you to please support your local musicians by continuing to buy their albums, follow their online and streaming initiatives or by making a financial donation.

For more info on how you can donate to contemporary musicians in South Africa, please contact the Cape Town Music Academy at info@ctma.co.za.

“I think music in itself is healing. It’s an explosive expression of humanity. It’s something we are all touched by. No matter what culture we’re from, everyone loves music.” ― Billy Joel

Credits:
Music by Robin Auld
Lyrics by Nico Mac/Robin Auld/Simon Orange
Video created & edited by Schalk Joubert
Arranged, Mixed & Mastered by Robin Auld
Executive Producer – The Cape Town Music Academy

Robin Auld – Vocals, Guitar & Harmonica
Simon Orange – Vocals & Keyboards
Steve Walsh – Vocals
Tonia Möller – Vocals
Kevin Gibson – Drums
Schalk Joubert – Bass
Willem Möller – Guitar
Mauritz Lotz – Guitar

Sugar Man song featured in trailer for “Moffie” film

The year is 1981 and South Africa’s white minority government is embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart (Kai Luke Brummer) must complete two years of compulsory military service to defend the Apartheid regime. The threat of communism and “die swart gevaar” (the black danger) is at an all-time high. But that’s not the only danger Nicholas faces. He must survive the brutality of the army – something that becomes even more difficult when a connection is sparked between him and a fellow recruit.

MOFFIE, is the 4th film by director Oliver Hermanus. It is produced by South African-born producer Eric Abraham who produced the Academy Award-winning films – Pawel Pawlikowski’s Ida (2014) and Jan Sverak’s Kolya (1996) and Jack Sidey of Portobello Productions. It is based on the memoir, Moffie, by Andre-Carl van der Merwe and tells the story of a conscript who embarks on his military service in 1981 South Africa. In local theatres on 13 March 2020.

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Ghosts Of Berlin by The Lyzyrd Kyngs

Written in Berlin in the Summer of 2013 by Piet Botha. Recorded in South Africa August 2014. Piet Botha on Vocals & Guitar, Arthur Dennis on Guitar. Rudolph Dennis on Drums and Vocals. Adrian John Graham on Bass. Recorded and produced by Peter Pearlson with Charl Wentzel assisting. Footage of their Tour with Freygang in East Berlin.

New Lyzyrd Kyngs album is due in November 2014.

www.lyzyrdkyngs.com

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