I Wonder

Love your music and your songs. I have “I Wonder” at the top of my Songlist and It is requested by many people when I perform. Wrote a few new verses to “I Wonder” as well. Thank you for your wonderful music!

Larrie Cook

Sugar Man – Just Jinger

1001 South African Songs You Must Hear Before You Go Deaf

by John Samson

Greatest Hits - Just Jinger
Greatest Hits – Just Jinger

When Rodriguez walked out onto the stage in Cape Town back in 1998 to kick off his first ever SA tour, he thanked the audience for keeping him alive. And a large part of that thanks could have been directed towards Ard Mathews and Just Jinger as their cover version of the Rodriguez classic, ‘Sugarman’, was probably as important in bringing the Detroit musician to a new generation of fans as the army call up was to his first South African fans.

‘Cold Fact’, the Rodriguez album that contained ‘Sugarman’ had been around since the late 60’s early 70’s and seemed to live in the air we breathed back then. Nearly every white South African home had a copy of the album and everyone knew the song. It seemed only natural then for someone to cover it, but strangely it had to wait till the 90’s before Just Jinger plucked up the courage to take on such a revered song. And they did the right thing with their cover as it is as straight forward a cover of an original as one could get. Just about the only difference between the original and the JJ’s version is Ard’s grungey vocals compared to Rodriguez’s folky ones.

So what, you may ask, is the point of producing a cover that is pretty much the same as the original? Well, I think that the fact that Just Jinger didn’t deviate too far from the original shows their huge respect for the song and the singer as they didn’t want to mess too much with the original, seeing it as perfection in itself, so they could only imitate and not add to it. The second reason that this was an important cover was laid out in the first paragraph of this article. Just Jinger were becoming one of the biggest bands in the land and the fact that they tipped their hat to this classic song had their younger fans digging out their moms and dads CDs to check out the original.

At the time Just Jinger covered this track, there was hardly another cover of the track, let alone a cover of any other Rodriguez tracks out there (there were some and a list of pre-‘Searching For Sugar Man’ covers can be found here: http://sugarman.org/coverversions.html). Just Jinger with their excellent and timely cover of the track helped keep Rodriguez alive and well and they did so reverentially, letting the song take the limelight. This would have to go down as one of the greatest covers of an international track by an SA band.

Where to find it:
Something For Now (1998)
Greatest Hits (2001)

Video:

Mixcloud:

 
The South African Rock Encyclopedia:

Just Jinger

The Hidden Years Of South African Music

The Institut français (Paris), the French Embassy in South Africa and IFAS-Research are pleased to present the Hidden Years Music Archive Project, which is hosted by the Africa Open Institute for Music, Research and Innovation (Faculty of Art and Social Sciences, Stellenbosch University). This documentary is part of a project initiated and supported by the Institut français (Paris), the French Institute of South Africa and IFAS-Research, called “Sounds of Southern Africa”.

Dead Men Don’t Tour, Rodriguez in South Africa 1998 (TV Documentary)

This documentary was shown on South African Television this week, 20 years ago.

Footage from this documentary features strongly in the Oscar winning film, Searching For Sugar Man.

Dead Men Don’t Tour

Directed by Tonia Selley and featuring Big Sky, “Dead Men Don’t Tour”, was first broadcast on SABC 3 at 9.30pm on the 5th July 2001 just after ‘Ripley’s Believe Or Not’.

This film features wonderful concert footage, backstage antics, interviews with Craig Bartholomew Strydom and Stephen “Sugar” Segerman, Rodriguez and his family, the promoters, the fans and the musicians.

All live footage was filmed at the concerts in Pretoria, Durban and the Blues Room in Johannesburg.

The soundtrack for the documentary is based on the Live Fact CD with video collages from the various performances. The concert footage is linked with interviews, backstage antics, rehearsals, etc.

  1. I Wonder
  2. Inner City Blues
  3. Jane S. Piddy
  4. Sugar Man
  5. A Most Disgusting Song
  6. Like Janis
  7. Establishment Blues
  8. Climb Up On My Music
  9. I Wonder by Generation EXT (filmed during the studio recording)
  10. Forget It

Produced by Incha Productions
Executive producers: Georgina Parkin and Charles Watson
Directed by Tonia Selley
Edited by Cathy Winter

March 1998 (left-to-right): Willem Moller, Sixto Rodriguez, Tonia Selley, Steve Louw, Graeme Currie, Reuben Samuels, kneeling front: Russel Taylor
March 1998 (left-to-right): Willem Moller, Sixto Rodriguez, Tonia Selley, Steve Louw, Graeme Currie, Reuben Samuels, kneeling front: Russel Taylor

BELOVED SOUTH AFRICAN SINGER / SONGWRITER STEVE LOUW RELEASES NEW VIDEO / SINGLE, “CRAZY RIVER”

Steve Louw

April 6 2021, Capetown, SA: Today, much-revered South African singer/songwriter/guitarist, Steve Louw releases, “Crazy River,” the first track from his forthcoming album, Headlight Dreams to be released in May via BFD/The Orchard. 

Steve Louw - Headlight Dreams

The song itself is an upbeat, transcendent ode to the beauty of a river, its timelessness against the impermanent world it runs through, and the aspects of ourselves that long to be just like it. Louw, with a rich lifetime of music making under the belt, gets it and embraces the moment. The video puts him occasionally front and center, singing and playing with millennial enthusiasm, yet with the confidence that experience brings, his image juxtaposed with footage and stills of lives lived large against a backdrop of mountains, valleys and rapids. So lush is it all that one could just jump at the screen before getting a hold of themselves. 

Says Louw of the song, “I once took a long canoe trip down the Colorado River, through the Grand Canyon and out again. It was a very spacy spiritual place and it felt like I was on a journey to the middle of the earth. I wrote this after the trip. On one level the song is about the river trip and the journey deep inside the raw power and beating heart of nature, but it also reflects on time, our time on Earth, how we experience it, and how the bonds of deep personal relationships with our fellow travellers nurture our souls. I played the acoustic guitar using a few African-style riffs and the band picked up on that feel. Guitarist Rob McNelley contributed beautiful slide guitar.” 

From the moment he jumped into the South African music scene in the eighties, he was swimming with the best of em. At that time, he fronted All Night Radio, a group that would release two hit records, The Heart’s the Best Part (1984) and The Killing Floor (1986) and establish Louw as a force to be reckoned with on the SA music scene. But in 1990, Steve achieved legendary status after forming Big Sky, who won the honour of Best South African Rock Act in 1996 and were subsequently accepted into the SA Rock Hall of Fame. In 1998, they supported Rodriguez on tour and were incidentally featured in the film, Searching For Sugar Man.

In 2003, Steve collaborated with Dave Stewart (Eurythmics), Anastacia and Brian May (Queen) on a song called “Amandla” that was performed for the Madiba’s 46664 concert in Cape Town by Beyonce and Bono.

He also played and recorded with the aforementioned Rodriguez, Blondie Chaplin and Kevin Shirley, who produced Headlight Dreams. The new album also features a guest spot from heroic guitarist Joe Bonamassa on “Wind In Your Hair.”

Stream/download “Crazy River” here: https://orcd.co/SteveLouwCrazyRiver 

Pre-save/pre-add/pre-order Headlight Dreams here: https://orcd.co/SteveLouwHeadlightDreams 

For more information, please visit: http://stevelouw.com/

Twitter @stevelouwmusic 

And for any media inquiries, please contact: 

Martin Myers / Jason Curtis 

083 448 4475 / 082 555 5993

Steve Louw

Sugar Man by Riskology Radcliffe

Dear Sixto and Team

My name is Jay, I am a rapper living in the UK, and I was born in Zimbabwe and grew up in South Africa in the post-apartheid, ‘Searching for Sugar Man’ era. I spent my youth watching Cheech and Chong films and Listening to Sixto in various shebeens around Johannesburg, smoking good weed.

I unfortunately ended up in Jail which led me to the UK, upon my release. I then followed a path of music to steer my life away from drugs and the perils that come with it. I decided to do a ‘Sugar Man’ remix, which is an ode and a story of my perils with a modern era take, with the original chorus to keep authentic and change the verse to rap style vocals.

I have registered and released the remix and obviously Sixto is the beneficiary of this, which I am more than happy with. I am writing to request an opinion or a short moment for feedback. The album and song in particular were such a huge part of my up-bringing and being from South Africa, where the story is Legend, I was hoping I may get a moment of feedback.

In truth it took me over ten years to complete, as one, I was on a journey (sure you can relate) and two, I wanted it to be a worthy offering. There were various different versions made between bpm’s etc, however it took ages to get to the point where I thought I would one, hopefully keep the essence and make Sixto proud however and  two, still reach this modern generation. So, to get some feedback would be awesome, please.

I also hope I have not offended anyone in this process, as  it was done with pure love and inspiration in mind and,  as I mentioned, Sixto is the beneficiary who I am happy to send info relating to.

I also have a cool artwork animation on my insta profile (@riskology) where the artwork of the table and menu all become interactive and trippy.  I have attached a short animation of the artwork that my biz partner, Rowan L Designs, made for the release , it took her years to perfect and this artwork took hours/months to produce as each item is an individual layer and all parts interact, she did an amazing job.

See artwork at: https://drive.google.com/file/d/1tyN5tHuiecuPyFW9_pkHIp9XE5oI48VJ/view

Anyway – I hope this email finds you all well in these crazy times. And, on behalf of my whole generation, Thank You for the love, light, and inspiration, I look forward to hearing back from you 1love,

Jay Radcliffe


Email: 1riskology@gmail.com

Lockdown Blues – The Bottom Barrel Blues Band

Featuring Robin Auld, Steve Walsh, Simon Orange, Tonia Möller, Schalk Joubert, Willem Möller, Kevin Gibson, Mauritz Lotz & Nico Mac

“Lockdown Blues” is a blues song created and performed by the Bottom Barrel Blues Band – a collaboration of prominent South African contemporary musicians. It was recorded individually by the artists in isolation during the 2020 Covid-19 pandemic lockdown.
True to the nature of the blues, “Lockdown Blues” is an uplifting, bitter-sweet tune depicting the challenges of life under lockdown regulations. It is produced by the Cape Town Music Academy (CTMA), a Cape Town based not for profit company, creating opportunities for local contemporary musicians.

During the Covid-19 pandemic many musicians have experienced a harsh decline or complete halt in income due to lockdown regulations and the ban on public gatherings. But despite these challenges, musicians will always express themselves, practice their craft and collaborate.
We therefore urge you to please support your local musicians by continuing to buy their albums, follow their online and streaming initiatives or by making a financial donation.

For more info on how you can donate to contemporary musicians in South Africa, please contact the Cape Town Music Academy at info@ctma.co.za.

“I think music in itself is healing. It’s an explosive expression of humanity. It’s something we are all touched by. No matter what culture we’re from, everyone loves music.” ― Billy Joel

Credits:
Music by Robin Auld
Lyrics by Nico Mac/Robin Auld/Simon Orange
Video created & edited by Schalk Joubert
Arranged, Mixed & Mastered by Robin Auld
Executive Producer – The Cape Town Music Academy

Robin Auld – Vocals, Guitar & Harmonica
Simon Orange – Vocals & Keyboards
Steve Walsh – Vocals
Tonia Möller – Vocals
Kevin Gibson – Drums
Schalk Joubert – Bass
Willem Möller – Guitar
Mauritz Lotz – Guitar

Sugar Man song featured in trailer for “Moffie” film

The year is 1981 and South Africa’s white minority government is embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart (Kai Luke Brummer) must complete two years of compulsory military service to defend the Apartheid regime. The threat of communism and “die swart gevaar” (the black danger) is at an all-time high. But that’s not the only danger Nicholas faces. He must survive the brutality of the army – something that becomes even more difficult when a connection is sparked between him and a fellow recruit.

MOFFIE, is the 4th film by director Oliver Hermanus. It is produced by South African-born producer Eric Abraham who produced the Academy Award-winning films – Pawel Pawlikowski’s Ida (2014) and Jan Sverak’s Kolya (1996) and Jack Sidey of Portobello Productions. It is based on the memoir, Moffie, by Andre-Carl van der Merwe and tells the story of a conscript who embarks on his military service in 1981 South Africa. In local theatres on 13 March 2020.

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