Searching For Sugar Man is a 2012 documentary film about a South African cultural phenomenon, written and directed by Malik Bendjelloul, which details the efforts in the late 1990s of two Cape Town fans, Stephen “Sugar” Segerman and Craig Bartholomew Strydom, to find out whether the rumoured death of American musician Sixto Rodriguez was true and, if not, to discover what had become of him. Rodriguez’s music, which had never achieved success in the United States, had become very popular in South Africa, although little was known about him in that country. On 10 February 2013, the film won the BAFTA Award for Best Documentary at the 66th British Academy Film Awards in London and two weeks later, it won the Academy Award for Best Documentary Feature at the 85th Academy Awards in Hollywood.
Wikipedia
‘Sugar Man’ the book is now available on eBook!

In September 2015, ‘Sugar Man: The Life, Death and Resurrection of Sixto Rodriguez’ by Craig Bartholomew-Strydom and Stephen Segerman, was published by Penguin in response to the demand for more information behind the Oscar-winning documentary ‘Searching For Sugar Man’ by Malik Bendjelloul.
For all those fans of Rodriguez and his music and the amazing story behind the search and his re-emergence and current world-wide fame, here are some shops on the web where one can buy the eBook version of this book online:
1. Amazon.com:
2. Kobo.com:
https://www.kobo.com/gr/en/ebook/sugar-man-the-birth-death-and-resurrection-of-sixto-rodriguez
3. Booktopia.com:
https://www.booktopia.com.au/sugar-man-craig-bartholomew-strydom/ebook/9781473525948.html
4. Apple Books:
https://books.apple.com/au/book/sugar-man/id992399076
5. Penguin.com:
https://www.penguin.com.au/books/sugar-man-9781473525948


The One Mad Tea Party Festival | Jou Radio
From https://www.jouradio.co.za/news/the-one-mad-tea-party-festival-40

The One Mad Tea Party Festival
After returning last night to my home base, 15 km outside Polokwane in the Limpopo province, I will admit I am still getting to grips with all the happenings from the last week. A few weeks prior I received a message from my now close friend, Johann Latsky. He said they are organising a music festival near Caledon, Western Cape, and asked me if I would like to join. There was no way I was going to miss this opportunity even though it was about 1700km away. The ONE was an exclusive state-of-the-art venue, situated on Shaw’s Pass, between Hermanus and Caledon. With 22 of South Africa’s hottest bands and luxury glamping facilities, this was truly Heaven on Earth and a once in a lifetime opportunity.
I left Polokwane, 14h00 in the afternoon, and after a quick overnight pit stop in Pretoria, I hit O.R. Tambo International Airport, early the next morning. I was graciously flown by Lift Airlines, who were also one of the sponsors for the festival. May I say that Lift Airlines are really a jewel amongst all the other local airlines? They even gave us free wine and chocolate coated, gluten free, vegan, roasted chick peas! Sitting on the plane, waiting for our departure, I saw the crew loading two guitar cases and a bag with drum-symbols. It was immediately clear that I was being accompanied by a band on my flight and I made it a mission to try and identify them. My son recently got into the “Where’s Wally” books and I think all the practice finding Wally, helped me. I had no problem identifying the guys from the band Shadowclub, as well as Mariska Geyer, road manager for the band Prime Circle. They were accompanied by the members from Southern Gypsy Queen and Andre Kriel, guitar player for the Black Cat Bones. On arrival in Cape Town, I had a quick chat with the band and then met up with my long-time friend, Leon Nieuwoudt. We were on our way to the One Mad Tea Party Festival.
Naturally we had to stop on-route at a few places for some chit chats with the locals and a few glasses of wine. However, we didn’t waste too much time because Anton Goosen was opening the stage and we had to be there. On arrival at the venue, we were friendlily greeted and shown towards our tents. Glamping was only a term I have heard before, but it became more meaningful to me once we got to our tents. The tents had a carpet, two beds, a power point with bed lamps and of course, electric blankets. Happiness!
We got our stuff together and decided to hit the stage. On our way we witnessed the most beautiful sunset and had to stop for a few selfies. The venue was amazing, with a fully stocked bar and seating surrounded by artificial grass. The atmosphere was one of excitement, filled with music lovers who knew what it was all about. Once Anton arrived, I was blown away by the sound and lighting. It was a proper job and way beyond what was necessary, but is it ever enough?
Anton Goosen is a legend in the music industry. Most people still remember his Afrikaans hits from the 80’s and he didn’t disappoint. He did a couple of his hit songs but his stories were the highlight for me. After more than 30 years of performing there were loads of snippets he could share with the crowd and we loved it. He captivated his audience and I was fully mesmerised. Afterwards, we had a quick conversation and hurried back to the stage for the next band. The Southern Gypsy Queen’s performance was talked about throughout the weekend. They went on stage without any flair or pretention but delivered something I will remember for a long time. It was pure passion and fun. They were happy to be there and we all agreed. With Andre Kriel from the Black Cat Bones standing in on guitar, they kicked it off with personality and energy and the crowd eagerly responded to their energy. They prepared a special ‘Rock n Roll’ set and we were jumping around with every song. I realised after their second song, that we were witnessing something special. It was only the second band out of 22 and I was already blown away.
After a quick photo back stage and a friendly introduction, we ran back to the stage to watch one of my favourite musicians, Dan Patlansky. A friend of mine who spent some time with Anton Goosen backstage, while Southern Gypsy Queen was playing, told me later that Dan was chilling next to them and while the band was playing, he was warming up for his set by working out their songs. He was improvising, but it took him no effort to play along with them, even though he had probably never heard them before. Dan is a musical genius unlike any musician I have seen before. His reputation stretches far and wide and I wasn’t surprised to see the guys from Spoegwolf standing close to the stage when I got there, waiting for Dan to appear. He was brilliant. Throughout his show I could see he was mimicking the music in his head. While his lips moved and the veins in his neck popped, eyes closed, he was a player possessed. I don’t think any review will ever do his shows justice. Dan Patlansky is one of a kind. I am honoured and blessed to have witnessed this maestro in his natural habitat. The thing about him is not just his music it’s his attitude as well. Just a short conversation with him will make you feel like you are talking to your best friend. His people skills are as natural as his guitar playing.
Dan was followed by one of the hottest South African bands at the moment. Every Spoegwolf show will be familiar if you have seen it before but there is something unique about them. Wherever they go, the crowd always enthusiastically sings along to their songs. Danie du Toit has a unique energy and I found myself smiling as they performed their hits. It’s this familiarity that brings people together. The four members of Spoegwolf are a brotherhood. No matter where or when they perform, they have a fan base. They are rightfully the current Face of Alternative Afrikaans Music, as someone accurately commented. I tried to grab another photo with the guys after the show, to add to my already growing collection; however they quickly disappeared into the night. Later I realised they had another show the following night in Pretoria.
The first night ended with something unique and I will admit it took me a few minutes to adjust to the change of pace and vibe. Pascal and Pearce have for a long time been legends in the dance scene. My buddy Leon knew Pascal and therefore they were on our list of artists we really wanted to see. Their show reminded me of my clubbing days and being a dance DJ myself when I was younger. They had it all! It was a high energy light show with a lot of personality, transforming my nostalgia into something recent and very enjoyable. After a quick photo and short conversation, I couldn’t help but wonder what type of adventures they’ve been on and what their day to day lives must be like.
We decided to end our night in the VIP lounge but quickly realised it would be better to save our energy for the next morning. Our warm beds awaited us and I had a good night’s rest with my warm blanket set on a toasty but still mild, no 2 setting. I was exhausted.
We woke up quite early the next morning, according to the Cape standards. We grabbed our towels and headed to the showers. The portable showers were clean and had enough hot water for me to sing a few of my favourite Rock songs. Leon and I drank our daily vitamins, specially designed for men our age, and then we decided to take a walk on the 5km trail. Leon wore his Ice-Cream coloured Tekkies, he called the colour ‘mint’, but this is my story. I am not sure we did the whole 5km but we ended up in a field somewhere with another amazing view of the valley. The Blue Mountains in the distance reminded me of something ancient and unchanging. We tend to fight our present circumstances at times, worrying about our day to day existence, but still the mountains tell tales of survival and durability. I am getting side-tracked; let’s get back to the festival. Needless to say the view we saw that morning was inspirational.
I really enjoyed the band SNAFU, not simply because of their weird name which I only later realised meant “a confused or chaotic state”, but also because of their weird hats and funky Afrikaans reggae beats. They were unique to say the least and created a refreshing atmosphere in anticipation for the bands to come. They did a cover of ‘Midnight’ by the band 340ml and it left the crowd happy and energized. After an “edible misjudgement”, Nomadic Orchestra had to postpone their gig and it caused a little bit of confusion, which is understandable and also legendary in the same sense. The break in the line-up gave Leon and I another chance to enjoy the spectacular views and sunset. Selfie time. Again, I realised the brevity of life and constants of tomorrow, but let’s get back to the festival.
I could write pages about the band Shadowclub. They are not just, in my opinion, one of the greatest South African bands, they are also very interesting characters and I am not just saying this because we met at the airport. Fronted by genius guitarist and lyricist, Jacques Moolman, with Louis Roux on bass and Isaac Klawansky on drums, they received a SAMA for best rock band in 2012 and deservedly so. They took a hiatus for a few years, but the boys are back to the delight of their many fans. Under the management of Mariska Geyer, I believe we will still enjoy their music for years to come. They played a brilliant set which included fan favourite ‘Good Morning Killer’ and their latest single ‘Dark Horse’, but I will admit ‘Dog Teeth’ completely took me by surprise. It was hauntingly beautiful, honest and inspiring. I could feel how the song captured everyone witnessing this hypnotic performance. Together with ‘All Aboard’, I was transported to music heaven. This is the stuff I live for and is a beautiful sunset to my fragile soul.
Laudo Liebenberg, being one of my favourite vocalists, and with protégé guitarist Frank Freeman playing one of my favourite albums, ‘Eet Kreef Herleef’ was another highlight of an already amazing experience.
Having met Albert Frost earlier that day and having played his music on my radio show, I still wasn’t prepared for what was to come. Albert, with his extrovert personality and infectious laughter, was another treat. I quickly realised that any serious guitar player has to have veins popping in their necks once they get going. The crowd went crazy every time Albert aimed his guitar at the crowd and everyone he made eye contact with immediately evaporated.
For 17 years, Prime Circle has been on the forefront of South African Rock music and their performance showed this. They delivered a spectacle of international standards. They will outlast many bands that we know right now and started before many of their fans were born. They are a class act that showcases the depth of South African Rock music.
That concluded day 2. Once again I had a warm shower and, together with a coffee made by the barista in the VIP lounge, I was ready for our walk. We treated ourselves again to the spectacular views of the Shaw Valley before we returned to witness the funny and entertaining Kalahari Boere Orkes. Ian Roberts has been someone I have been looking up to since he ran a race against Gavin van den Berg in the series ‘Arende’. He was so impressed by me greeting him, that he shook my hand two times. The festival ended with the majestic Karen Zoid. Tannie Karen is an enigma and even just getting close to her, puts you under her spell. I couldn’t help feeling small in her presence even though I might be older and definitely taller.
I felt so many mixed emotions when Leon and I packed up our bags and said goodbye to the ‘One Mad Tea Party’. Like many things in life, this amazing experience had come to an end. I knew already as we drove away, that this was an experience that will stay with me for a lifetime. Johann Latsky and Nicky Currie, the organisers, have become life-long friends of mine. The festival was more than I wished for. I felt new and rejuvenated again. Life is what you make it and once you understand the music, you will be free forever.
Philip Buys (Radio Presenter, Vinyl Collector and Lifelong Music Enthusiast)
All Night Radio at The Concert In The Park, 37 Years Ago Today!
When we got to Ellis Park that afternoon the stadium was heaving with 110 000 South African music fans packed in across the turf, throughout the stadium and up on the roof!
Juluka and Johnny Clegg held that crowd in the palm of their hands, and then the whole place erupted in joy when Lucky Dube came on. He channelled the love running through everyone that night.
”I love this man”, I heard someone scream, as the place rocked to the deep pulse of rhythm and sound, bonding 110 000 people as one.
Steve Louw, December 2021

Sugar Man – Just Jinger
1001 South African Songs You Must Hear Before You Go Deaf
by John Samson

When Rodriguez walked out onto the stage in Cape Town back in 1998 to kick off his first ever SA tour, he thanked the audience for keeping him alive. And a large part of that thanks could have been directed towards Ard Mathews and Just Jinger as their cover version of the Rodriguez classic, ‘Sugarman’, was probably as important in bringing the Detroit musician to a new generation of fans as the army call up was to his first South African fans.
‘Cold Fact’, the Rodriguez album that contained ‘Sugarman’ had been around since the late 60’s early 70’s and seemed to live in the air we breathed back then. Nearly every white South African home had a copy of the album and everyone knew the song. It seemed only natural then for someone to cover it, but strangely it had to wait till the 90’s before Just Jinger plucked up the courage to take on such a revered song. And they did the right thing with their cover as it is as straight forward a cover of an original as one could get. Just about the only difference between the original and the JJ’s version is Ard’s grungey vocals compared to Rodriguez’s folky ones.
So what, you may ask, is the point of producing a cover that is pretty much the same as the original? Well, I think that the fact that Just Jinger didn’t deviate too far from the original shows their huge respect for the song and the singer as they didn’t want to mess too much with the original, seeing it as perfection in itself, so they could only imitate and not add to it. The second reason that this was an important cover was laid out in the first paragraph of this article. Just Jinger were becoming one of the biggest bands in the land and the fact that they tipped their hat to this classic song had their younger fans digging out their moms and dads CDs to check out the original.
At the time Just Jinger covered this track, there was hardly another cover of the track, let alone a cover of any other Rodriguez tracks out there (there were some and a list of pre-‘Searching For Sugar Man’ covers can be found here: http://sugarman.org/coverversions.html). Just Jinger with their excellent and timely cover of the track helped keep Rodriguez alive and well and they did so reverentially, letting the song take the limelight. This would have to go down as one of the greatest covers of an international track by an SA band.
Where to find it:
Something For Now (1998)
Greatest Hits (2001)
Video:
Mixcloud:
Train Don’t Run – New Video from Steve Louw
Steve Louw and his band Big Sky appeared with Rodriguez on the sold-out South African tour in 1998 as featured in the Oscar-winning film “Searching For Sugar Man“.
Here is the official video for “Train Don’t Run”, created by Jacqui van Staden. From the album “Headlight Dreams“, produced by Kevin Shirley and released 7 May 2021.
… my favourite track on this album is the almost proggish “Train Don’t Run”. Clocking in at seven and half minutes this is an epic tune that you hope never finishes. There is a soaring guitar solo by Rob McNelley that David Gilmour fans will love. No surprise to discover that this track was mixed on the same console as the classic “Dark Side Of The Moon“.
Brian Currin
Headlight Dreams review on AllMusic.com
Stream/download “Headlight Dreams”
https://orcd.co/SteveLouwHeadlightDreams
STEVE LOUW ONLINE
http://stevelouw.com/
https://instagram.com/stevelouw/
https://twitter.com/stevelouwmusic
https://facebook.com/stevelouwmusic/
https://sptfy.com/stevelouw
https://apple.co/3iKTV9g
THE STORY BEHIND THE SONG
My grandfather was a railroadman and in the 1930s my father rode trains looking for work. To me, trains symbolise our attempts to bend nature to our will – and we’re seeing that trying to do that will never work. Silence will always return to the plains, the wind will blow, tracks will crumble and the earth will breathe again. This song has the wide open plains in it; dry cracked earth and a broken land.
The song builds from a driving acoustic guitar and hypnotic bassline to a haunting guitar solo by Rob McNeeley. The production (by Kevin Shirley) brings out the relentlessness of the song and of what we inflict on our planet.
Steve Louw
TRAIN DON’T RUN
(Recorded February 27, 2020)
The wind blows across empty plains
That hold so many bones
The rails glow years since the rain
Horses roam on broken stones
Train don’t run round here no more
Train is gone for us all
Put down a coin on the track
Saw silver turn through black
Seeds thrown all come back
Haunt the earth broken and cracked
Train don’t run round here no more
Train won’t come for us all
I can help you cross if you’ll let me
Spirits roam across this broken land
What’s been lost you can see
Count the cost can’t understand
Train don’t run round here no more
Train is gone for us all
Have you got your ticket to watch MEX21? Online until 2 Oct
![]() |
WATCH #MEX21 ONLINE NOW Lauded and awarded for its consistent commitment to the broader South African music industry, #MEX21 runs until 2 October 2021, with a wealth of quality international and local speakers. Click here to secure your tickets & watch online ![]() Our Keynote speaker, from Australia, is Michael Smellie. He speaks about the seven deadly sins of the music business. Michael’s career in the music business spans more than 25 years. He has worked across five continents as former Global Chief Operations Officer of Sony BMG, Asia Pacific Head for BMG, and Managing Director of Polygram and rooArt in Australia. Michael is an investor, adviser and board member to many start-ups’ creative businesses in Australia and the United States and is currently the Board Chair of the Music Council of Australia. ![]() Stuart Rubin, from New Zealand, speaks about the importance of the song and looking to legacy for wisdom and inspiration as well as unpacking Elvis 30 Number 1’s and Neil Diamond. In 2001 he moved to New York, becoming Senior VP International for BMG. Following the merger with SONY, three years later, Stuart was made Senior VP International of Commercial Marketing. Stuart’s interview reveals a person fascinated with people, whether they are artists or music lovers. With his long experience in selling music to a global market, and as an A&R professional, he delivers a unique perspective on the industry. ![]() Gasant Abarder, the author of Hack the Grenade, columnist, and former editor of the Cape Times & Argus speaks to the Cape Town reality for artists and his take on the media landscape in both print and online. ![]() We speak to legacy with producer Greg Cutler, an engineer from London; regarding his relationships with Harari, Hotline and Rabbit, bands that shaped the SA sound that we know and love today. Click here to secure your tickets & watch online The #MEX21 speaker line-up includes, but is not limited to: Michael Smellie – Chairman of Music Australia – Australia Jason Grishkoff – Founder SubmitHub – USA Stephen Werner – Station Manager @ KFM – RSA Stuart Rubin – Former Senior VP of Worldwide Marketing for Sony BMG – New Zealand Gasant Abarder – Author, and former editor at Independent Newspapers – RSA Gillian Ezra – Group Head of Commercial – simfy africa, MusicTime, Ayoba Phenyo Gasebonoe – Digital Content Manager at Ayoba, Africa’s first Super App – an all in one Instant Messaging Platform – RSA Greg Cutler – Producer engineer visionary proud ambassador of SA Music legacy – UK Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA RJ Benjamin – Artist – RSA Sipho Mabuse – MEX Chairperson and Artist – RSA Click here to secure your tickets & watch online ![]() Gillian Ezra – Group Head of Commercial – simfy africa, MusicTime, Ayoba ![]() Phenyo Gasebonoe is a Digital Content Manager at Ayoba, Africa’s first Super App – an all in one Instant Messaging Platform -RSA ![]() Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA ![]() RJ Benjamin – Artist– RSA ![]() Sipho Mabuse – MEX Chairperson and Artist – RSA Click here to secure your tickets & watch online #MEX21 talks deliver on what MEX is known and respected for by delivering quality conversations that lead to quantifiable outcomes. In partnership with Ticketpro Paul Bothner Music Western Cape Government AYOBA and the City of Cape Town #MEX21 hosts entertainment industry thought-leaders and game-changers in 30-to-60-minute presentations on the Ticketpro streaming platform. For a mere R100 investment, per ticket, #MEX21 delegates will enjoy an all-access pass to the full conference, comprising a series of unmissable keynote addresses and international thought leadership sessions from some of the most relevant and revolutionary minds in the business. Secure your ticket and watch here: https://tickets.heroticket.co.za/thero/shops/985c875Click here to secure your tickets & watch online For booking details, and more information, go to musicexchange.org.za For more information and interview opportunities, please contact: Martin Myers @ MEX martmyers@gmail.com 083 448 4475 In association with the City of Cape Town In association with the Western Cape Government Cultural Affairs and Sport |
MUSIC EXCHANGE (#MEX21) SPEAKS TO THE ENTERTAINMENT ECONOMY
MUSIC EXCHANGE (#MEX21), South Africa’s preeminent entertainment-economy-invested conference, returns this September for the 11th consecutive year, hosted by Ticketpro.
Lauded and awarded for its consistent commitment to the broader South African music industry, #MEX21 will run from 11 September to 2 October 2021, with a wealth of quality international and local speakers.
Some of the topics #MEX21 will unpack, in detail, include our streaming reality, the platforms generating engagement (Ayoba) and driving artist’s incomes (SubmitHub), right through to the importance of heritage (MEX Chairman), the state of radio in South Africa (KFM), and just how artists are rebuilding and morphing in response to the pandemic (RJ Benjamin).
Our Keynote speaker, from Australia, is Michael Smellie. He speaks about the seven deadly sins of the music business.
Michael’s career in the music business spans more than 25 years.
He has worked across five continents as former Global Chief Operations Officer of Sony BMG, Asia Pacific Head for BMG, and Managing Director of Polygram and rooArt in Australia.
He is an investor, adviser and board member to many start-ups’ creative businesses in Australia and the United States and is currently the Board Chair of the Music Council of Australia.
Stuart Rubin, from New Zealand, speaks about the importance of the song and looking to legacy for wisdom and inspiration as well as unpacking Elvis 30 Number 1’s and Neil Diamond.
At the height of his career, he was Senior VP of Worldwide Marketing for Sony BMG. Stuart’s career in music started in New Zealand in 1976 with PolyGram.
He “crossed the ditch” to Australia and held several senior marketing roles in PolyGram and BMG, before moving to Hong Kong in the 1990s where he became BMG’s VP of International Marketing for the Asia-Pacific region. In 2001 he moved to New York, becoming Senior VP International for BMG. Following the merger with SONY, three years later, Stuart was made Senior VP International of Commercial Marketing.
Stuart’s interview reveals a person fascinated with people, whether they are artists or music lovers. With his long experience in selling music to a global market, and as an A&R professional, he delivers a unique perspective on the industry.
Gasant Abarder, the author of Hack the Grenade, columnist, and former editor of the Cape Times & Argus speaks to the Cape Town reality for artists and his take on the media landscape in both print and online.
We speak to legacy with producer Greg Cutler, an engineer from London; regarding his relationships with Harari, Hotline and Rabbit, bands that shaped the SA sound that we know and love today.
Despite the past 18 months being the most challenging in MEX’s decade-plus dedication, investment and global outreach, Music Exchange 2021 (#MEX21) is opening its annual industry-focused indaba to the world come 11 September 2021.
Over the past 11 years, MEX has actively informed, partnered and brokered with some of the biggest and most influential players and institutions, with the sole purpose of elevating, educating and sharing a wealth of learning from all four corners of the planet and 2021’s #MEX21 commits to being no different.
If anything, #MEX21 is offering everyone, directly or indirectly professionally affected by the pandemic, an opportunity to explore the possibility of change, with speakers who exemplify talent, success, and perseverance at a time like no other.
MEX has welcomed and hosted the likes of composer Dr Trevor Jones, musician and producer Bryan Michael Cox the Orchard’s Ben Oldfield, Mark Murdoch, Mos Def, Tim Renner, Rachel Z, Tom Novy, Karen Zoid, Siphokazi Jonas, Christian Wright from Abbey Road, Arthur and Charles Goldstuck and Moreira Chonguica among many more, all in an impressive lead up to this year’s impressive list of confirmed speakers.
The #MEX21 speaker line-up includes, but is not limited to:
Michael Smellie – Chairman of Music Australia – Australia.
Jason Grishkoff – Founder SubmitHub – USA.
Stephen Werner – Station Manager @ KFM – RSA.
Stuart Rubin – Former Senior VP of Worldwide Marketing for Sony BMG – New Zealand.
Gasant Abarder – Author, and former editor at Independent Newspapers – RSA.
Greg Cutler – Producer engineer visionary proud ambassador of SA Music legacy – UK.
Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA.
RJ Benjamin – Artist – RSA.
Sipho Mabuse – MEX Chairperson and Artist – RSA.
With more names to follow, #MEX21 talks will deliver on what MEX is known and respected for by delivering quality conversations that lead to quantifiable outcomes.
In partnership with Ticketpro, Paul Bothner Music, Western Cape Government, AYOBA and the City of Cape Town.
#MEX21 will host local entertainment industry thought-leaders and game-changers in 30-to-60-minute presentations on the Ticketpro streaming platform.
For a mere R100 investment, per ticket, #MEX21 delegates will enjoy an all-access pass to the full 11-day conference, comprising a series of unmissable keynote addresses and international thought leadership sessions from some of the most relevant and revolutionary minds in the business.
Martin Myers, founder, and convener of the conference remarked “2021 is another big year in Music Exchange’s history. Our collective and ongoing investment to help influence, adapt, evolve and remain relevant in a massively compromised economy sits at the heart of all we do.”
Follow us on Facebook to get breaking announcements, as they happen.
Secure your ticket and watch here:
https://tickets.heroticket.co.za/thero/shops/985c875
For booking details, and more information, go to: musicexchange.org.za
For more information and interview opportunities, please contact:
Martin Myers @ MEX
083 448 4475
Jason Grishkoff – Founder SubmitHub – USA. RJ Benjamin – Artist – RSA. Sipho Mabuse – MEX Chairperson and Artist – RSA.
Illuminating Headlight Dreams
by Brian Currin, June 2021
Back in early April 2021, I read a press release announcing a new album coming from Steve Louw and it included the video of a song called “Crazy River”. I loved the big open spaces this song evoked (and enhanced by the video) and the subtle African guitar sounds reminded me of early Johnny Clegg.
I first heard of Steve Louw in 1990 when the cassette version of the “Pop Shop 48” album featured the song “Waiting For The Dawn” by Big Sky as a bonus track. There is actually no real band called Big Sky, it is the name Steve Louw has used when he surrounds himself with the cream of the crop of American and South African musicians.
I first met Steve in March 1998, backstage at the first Rodriguez concert at the Bellville Velodrome, outside Cape Town. Steve and that year’s incarnation of Big Sky were a worthy support act. The rest of Big Sky (led by Steve’s old buddy since the seventies, Willem Möller) also backed Rodriguez for his set. That sold-out tour of South Africa is featured in the Oscar-winning film, “Searching For Sugar Man“.
Steve recorded two albums in the 80’s with his band All Night Radio, and then four albums as Big Sky between 1990 and 2008, as well as a compilation album, “Best Of The Decade” (in 1999), and a live concert DVD recorded over two nights in 2008.
And now he comes blasting back with his first solo album (well, technically) in 13 years. As in his Big Sky days, he has surrounded himself with some top players in their fields. So let’s drop a few names; “Headlight Dreams” was recorded in Nashville, Tennessee, produced by Kevin Shirley, mastered by Bob Ludwig, liner notes by Stephen Thomas Erlewine (from AllMusic), and a guitar solo on “Wind In Your Hair” by one of my favourite guys from the more recent crop of Blues guitar-slingers, Joe Bonamassa.
Louw also brought in some of the best musos in Nashville, namely Kevin McKendree (keyboards), Alison Prestwood (bass), Rob McNelly (guitars) and Greg Morrow (drums). Steve Louw wrote all the songs and sings and plays acoustic guitar.
This album is filled with great songs, from the bluesy, lyrically hard-hitting “Get Out Of My Heart” to the bouncy “Queen Bee Maybe” with its delightful Hammond organ solo from Kevin McKendree, however my favourite track on this album is the almost proggish “Train Don’t Run”. Clocking in at seven and half minutes this is an epic tune that you hope never finishes. There is a soaring guitar solo by Rob McNelly that David Gilmour fans will love. No surprise to discover that this track was mixed on the same console as the classic “Dark Side Of The Moon“.
If you immerse yourself in the Steve Louw back-catalogue you will find recurring themes and reappearing characters, in a similar vein to Rodriguez, Piet Botha and many others. It is one of the things I love about listening to music, that there are rewards for paying extra attention.
This album can be played in the background, but if you give it your full awareness and dive into its depths you will be rewarded with poetic lyrics melded with great tunes, recorded by superb musicians.
Steve’s enthusiasm for life and love is expressed in every note in this superb creation. “Headlight Dreams” deserves to be listened to over and over again, and if you do, you will get something new every time.