Sugar Man – Just Jinger

1001 South African Songs You Must Hear Before You Go Deaf

by John Samson

Greatest Hits - Just Jinger
Greatest Hits – Just Jinger

When Rodriguez walked out onto the stage in Cape Town back in 1998 to kick off his first ever SA tour, he thanked the audience for keeping him alive. And a large part of that thanks could have been directed towards Ard Mathews and Just Jinger as their cover version of the Rodriguez classic, ‘Sugarman’, was probably as important in bringing the Detroit musician to a new generation of fans as the army call up was to his first South African fans.

‘Cold Fact’, the Rodriguez album that contained ‘Sugarman’ had been around since the late 60’s early 70’s and seemed to live in the air we breathed back then. Nearly every white South African home had a copy of the album and everyone knew the song. It seemed only natural then for someone to cover it, but strangely it had to wait till the 90’s before Just Jinger plucked up the courage to take on such a revered song. And they did the right thing with their cover as it is as straight forward a cover of an original as one could get. Just about the only difference between the original and the JJ’s version is Ard’s grungey vocals compared to Rodriguez’s folky ones.

So what, you may ask, is the point of producing a cover that is pretty much the same as the original? Well, I think that the fact that Just Jinger didn’t deviate too far from the original shows their huge respect for the song and the singer as they didn’t want to mess too much with the original, seeing it as perfection in itself, so they could only imitate and not add to it. The second reason that this was an important cover was laid out in the first paragraph of this article. Just Jinger were becoming one of the biggest bands in the land and the fact that they tipped their hat to this classic song had their younger fans digging out their moms and dads CDs to check out the original.

At the time Just Jinger covered this track, there was hardly another cover of the track, let alone a cover of any other Rodriguez tracks out there (there were some and a list of pre-‘Searching For Sugar Man’ covers can be found here: http://sugarman.org/coverversions.html). Just Jinger with their excellent and timely cover of the track helped keep Rodriguez alive and well and they did so reverentially, letting the song take the limelight. This would have to go down as one of the greatest covers of an international track by an SA band.

Where to find it:
Something For Now (1998)
Greatest Hits (2001)

Video:

Mixcloud:

 
The South African Rock Encyclopedia:

Just Jinger

Train Don’t Run – New Video from Steve Louw

Steve Louw and his band Big Sky appeared with Rodriguez on the sold-out South African tour in 1998 as featured in the Oscar-winning film “Searching For Sugar Man“.

Here is the official video for “Train Don’t Run”, created by Jacqui van Staden. From the album “Headlight Dreams“, produced by Kevin Shirley and released 7 May 2021.

… my favourite track on this album is the almost proggish “Train Don’t Run”. Clocking in at seven and half minutes this is an epic tune that you hope never finishes. There is a soaring guitar solo by Rob McNelley that David Gilmour fans will love. No surprise to discover that this track was mixed on the same console as the classic “Dark Side Of The Moon“.

Brian Currin
Headlight Dreams review on AllMusic.com

Stream/download “Headlight Dreams”

https://orcd.co/SteveLouwHeadlightDreams

STEVE LOUW ONLINE

http://stevelouw.com/
https://instagram.com/stevelouw/
https://twitter.com/stevelouwmusic
https://facebook.com/stevelouwmusic/
https://sptfy.com/stevelouw
https://apple.co/3iKTV9g

THE STORY BEHIND THE SONG

My grandfather was a railroadman and in the 1930s my father rode trains looking for work. To me, trains symbolise our attempts to bend nature to our will – and we’re seeing that trying to do that will never work. Silence will always return to the plains, the wind will blow, tracks will crumble and the earth will breathe again. This song has the wide open plains in it; dry cracked earth and a broken land.

The song builds from a driving acoustic guitar and hypnotic bassline to a haunting guitar solo by Rob McNeeley. The production (by Kevin Shirley) brings out the relentlessness of the song and of what we inflict on our planet.

Steve Louw

TRAIN DON’T RUN
(Recorded February 27, 2020)

The wind blows across empty plains
That hold so many bones
The rails glow years since the rain
Horses roam on broken stones
Train don’t run round here no more
Train is gone for us all

Put down a coin on the track
Saw silver turn through black
Seeds thrown all come back
Haunt the earth broken and cracked
Train don’t run round here no more
Train won’t come for us all

I can help you cross if you’ll let me
Spirits roam across this broken land
What’s been lost you can see
Count the cost can’t understand
Train don’t run round here no more
Train is gone for us all



Have you got your ticket to watch MEX21? Online until 2 Oct

Music Exchange turns 10
WATCH #MEX21 ONLINE NOW

Lauded and awarded for its consistent commitment to the broader South African music industry, #MEX21 runs until 2 October 2021, with a wealth of quality international and local speakers.

Click here to secure your tickets & watch online


Our Keynote speaker, from Australia, is Michael Smellie. He speaks about the seven deadly sins of the music business. Michael’s career in the music business spans more than 25 years. He has worked across five continents as former Global Chief Operations Officer of Sony BMG, Asia Pacific Head for BMG, and Managing Director of Polygram and rooArt in Australia.

Michael is an investor, adviser and board member to many start-ups’ creative businesses in Australia and the United States and is currently the Board Chair of the Music Council of Australia.


Stuart Rubin, from New Zealand, speaks about the importance of the song and looking to legacy for wisdom and inspiration as well as unpacking Elvis 30 Number 1’s and Neil Diamond. In 2001 he moved to New York, becoming Senior VP International for BMG. Following the merger with SONY, three years later, Stuart was made Senior VP International of Commercial Marketing.

Stuart’s interview reveals a person fascinated with people, whether they are artists or music lovers. With his long experience in selling music to a global market, and as an A&R professional, he delivers a unique perspective on the industry.


Gasant Abarder, the author of Hack the Grenade, columnist, and former editor of the Cape Times & Argus speaks to the Cape Town reality for artists and his take on the media landscape in both print and online.


We speak to legacy with producer Greg Cutler, an engineer from London; regarding his relationships with Harari, Hotline and Rabbit, bands that shaped the SA sound that we know and love today.

Click here to secure your tickets & watch online

The #MEX21 speaker line-up includes, but is not limited to:
Michael Smellie – Chairman of Music Australia – Australia
Jason Grishkoff – Founder SubmitHub – USA
Stephen Werner – Station Manager @ KFM – RSA
Stuart Rubin – Former Senior VP of Worldwide Marketing for Sony BMG – New Zealand
Gasant Abarder – Author, and former editor at Independent Newspapers – RSA
Gillian Ezra – Group Head of Commercial – simfy africa, MusicTime, Ayoba
Phenyo Gasebonoe – Digital Content Manager at Ayoba, Africa’s first Super App – an all in one Instant Messaging Platform – RSA 
Greg Cutler – Producer engineer visionary proud ambassador of SA Music legacy – UK
Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA
RJ Benjamin – Artist – RSA
Sipho Mabuse – MEX Chairperson and Artist – RSA

Click here to secure your tickets & watch online



Gillian Ezra – Group Head of Commercial – simfy africa, MusicTime, Ayoba 


Phenyo Gasebonoe is a Digital Content Manager at Ayoba, Africa’s first Super App – an all in one Instant Messaging Platform -RSA

 
Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA


RJ Benjamin – Artist– RSA


Sipho Mabuse – MEX Chairperson and Artist – RSA

Click here to secure your tickets & watch online

#MEX21 talks deliver on what MEX is known and respected for by delivering quality conversations that lead to quantifiable outcomes. In partnership with 

Ticketpro
Paul Bothner Music
Western Cape Government
AYOBA 
and the City of Cape Town 

#MEX21 hosts entertainment industry thought-leaders and game-changers in 30-to-60-minute presentations on the Ticketpro streaming platform.
 
For a mere R100 investment, per ticket, #MEX21 delegates will enjoy an all-access pass to the full  conference, comprising a series of unmissable keynote addresses and international thought leadership sessions from some of the most relevant and revolutionary minds in the business.
 Secure your ticket and watch here:
https://tickets.heroticket.co.za/thero/shops/985c875Click here to secure your tickets & watch online

For booking details, and more information, go to musicexchange.org.za

For more information and interview opportunities, please contact:
Martin Myers @ MEX
martmyers@gmail.com
083 448 4475


In association with the City of Cape Town

In association with the Western Cape Government Cultural Affairs and Sport

MUSIC EXCHANGE (#MEX21) SPEAKS TO THE ENTERTAINMENT ECONOMY 

MUSIC EXCHANGE (#MEX21), South Africa’s preeminent entertainment-economy-invested conference, returns this September for the 11th consecutive year, hosted by Ticketpro.

Lauded and awarded for its consistent commitment to the broader South African music industry, #MEX21 will run from 11 September to 2 October 2021, with a wealth of quality international and local speakers.

Some of the topics #MEX21 will unpack, in detail, include our streaming reality, the platforms generating engagement (Ayoba) and driving artist’s incomes (SubmitHub), right through to the importance of heritage (MEX Chairman), the state of radio in South Africa (KFM), and just how artists are rebuilding and morphing in response to the pandemic (RJ Benjamin).

Our Keynote speaker, from Australia, is Michael Smellie. He speaks about the seven deadly sins of the music business.

Michael’s career in the music business spans more than 25 years.

He has worked across five continents as former Global Chief Operations Officer of Sony BMG, Asia Pacific Head for BMG, and Managing Director of Polygram and rooArt in Australia.

He is an investor, adviser and board member to many start-ups’ creative businesses in Australia and the United States and is currently the Board Chair of the Music Council of Australia.

Stuart Rubin, from New Zealand, speaks about the importance of the song and looking to legacy for wisdom and inspiration as well as unpacking Elvis 30 Number 1’s and Neil Diamond.

At the height of his career, he was Senior VP of Worldwide Marketing for Sony BMG. Stuart’s career in music started in New Zealand in 1976 with PolyGram. 

He “crossed the ditch” to Australia and held several senior marketing roles in PolyGram and BMG, before moving to Hong Kong in the 1990s where he became BMG’s VP of International Marketing for the Asia-Pacific region. In 2001 he moved to New York, becoming Senior VP International for BMG. Following the merger with SONY, three years later, Stuart was made Senior VP International of Commercial Marketing. 

Stuart’s interview reveals a person fascinated with people, whether they are artists or music lovers. With his long experience in selling music to a global market, and as an A&R professional, he delivers a unique perspective on the industry.

Gasant Abarder, the author of Hack the Grenade, columnist, and former editor of the Cape Times & Argus speaks to the Cape Town reality for artists and his take on the media landscape in both print and online.

We speak to legacy with producer Greg Cutler, an engineer from London; regarding his relationships with Harari, Hotline and Rabbit, bands that shaped the SA sound that we know and love today.

Despite the past 18 months being the most challenging in MEX’s decade-plus dedication, investment and global outreach, Music Exchange 2021 (#MEX21) is opening its annual industry-focused indaba to the world come 11 September 2021.

Over the past 11 years, MEX has actively informed, partnered and brokered with some of the biggest and most influential players and institutions, with the sole purpose of elevating, educating and sharing a wealth of learning from all four corners of the planet and 2021’s #MEX21 commits to being no different.

If anything, #MEX21 is offering everyone, directly or indirectly professionally affected by the pandemic, an opportunity to explore the possibility of change, with speakers who exemplify talent, success, and perseverance at a time like no other.

MEX has welcomed and hosted the likes of composer Dr Trevor Jones, musician and producer Bryan Michael Cox the Orchard’s Ben Oldfield, Mark Murdoch, Mos Def, Tim Renner, Rachel Z, Tom Novy, Karen Zoid, Siphokazi Jonas, Christian Wright from Abbey Road, Arthur and Charles Goldstuck and Moreira Chonguica among many more, all in an impressive lead up to this year’s impressive list of confirmed speakers.

The #MEX21 speaker line-up includes, but is not limited to:

Michael Smellie – Chairman of Music Australia – Australia.

Jason Grishkoff – Founder SubmitHub – USA.

Stephen Werner – Station Manager @ KFM – RSA.

Stuart Rubin Former Senior VP of Worldwide Marketing for Sony BMG – New Zealand. 

Gasant Abarder Author, and former editor at Independent Newspapers – RSA.

Greg Cutler – Producer engineer visionary proud ambassador of SA Music legacy – UK.

Melissa Conradie – Music industry specialist, publicist, booker, radio plugger – RSA.

RJ Benjamin – Artist – RSA.

Sipho Mabuse – MEX Chairperson and Artist – RSA.

With more names to follow, #MEX21 talks will deliver on what MEX is known and respected for by delivering quality conversations that lead to quantifiable outcomes.

In partnership with Ticketpro, Paul Bothner MusicWestern Cape Government, AYOBA and the City of Cape Town.

 #MEX21 will host local entertainment industry thought-leaders and game-changers in 30-to-60-minute presentations on the Ticketpro streaming platform.

For a mere R100 investment, per ticket, #MEX21 delegates will enjoy an all-access pass to the full 11-day conference, comprising a series of unmissable keynote addresses and international thought leadership sessions from some of the most relevant and revolutionary minds in the business.

Martin Myers, founder, and convener of the conference remarked “2021 is another big year in Music Exchange’s history. Our collective and ongoing investment to help influence, adapt, evolve and remain relevant in a massively compromised economy sits at the heart of all we do.”

Follow us on Facebook to get breaking announcements, as they happen.

Secure your ticket and watch here:

https://tickets.heroticket.co.za/thero/shops/985c875

For booking details, and more information, go to: musicexchange.org.za

For more information and interview opportunities, please contact:

Martin Myers @ MEX

martmyers@gmail.com

083 448 4475

“Sixto” by Orjan Hulten Orion featuring Ernie Bruce

Liberia Ballad by Orjan Hulten Orion featuring Ernie Bruce
“Sixto” by Orjan Hulten Orion featuring Ernie Bruce

I am Ernest Bruce (Ernie Bruce), a singer living in Monrovia, Liberia (West Africa).

In collaboration with the Swedish group Orjan Hilten Orion, we recently released an album entitled “Liberia Ballad… Orjan Hulten Orion featuring Ernie Bruce” The album does include a song that is dedicated to you, and tells your story. It was originally written by Orjan, the leader of the band, and is an instrumental on the group’s album Faltrapport.

The band met me while visiting Liberia on invitation from the Swedish Embassy…there was an instant exchange of artistic creativity, and Orjan asked whether I would write some lyrics for the song “Sixto”.

We are all pleased with the outcome of our collaboration, and are simply making an effort to make you aware of it and, hopefully, enjoy it. While the album is now available on Apple Music, Spotify, Amazon, and others.

Blessings to you in all your future endeavours.

https://www.thejazzmann.com/reviews/review/orjan-hulten-orion-featuring–ernie-bruce-liberia-ballad

Ernie

Illuminating Headlight Dreams

by Brian Currin, June 2021

Back in early April 2021, I read a press release announcing a new album coming from Steve Louw and it included the video of a song called “Crazy River”. I loved the big open spaces this song evoked (and enhanced by the video) and the subtle African guitar sounds reminded me of early Johnny Clegg.

I first heard of Steve Louw in 1990 when the cassette version of the “Pop Shop 48” album featured the song “Waiting For The Dawn” by Big Sky as a bonus track. There is actually no real band called Big Sky, it is the name Steve Louw has used when he surrounds himself with the cream of the crop of American and South African musicians.

I first met Steve in March 1998, backstage at the first Rodriguez concert at the Bellville Velodrome, outside Cape Town. Steve and that year’s incarnation of Big Sky were a worthy support act. The rest of Big Sky (led by Steve’s old buddy since the seventies, Willem Möller) also backed Rodriguez for his set. That sold-out tour of South Africa is featured in the Oscar-winning film, “Searching For Sugar Man“.

Steve recorded two albums in the 80’s with his band All Night Radio, and then four albums as Big Sky between 1990 and 2008, as well as a compilation album, “Best Of The Decade” (in 1999), and a live concert DVD recorded over two nights in 2008.

And now he comes blasting back with his first solo album (well, technically) in 13 years. As in his Big Sky days, he has surrounded himself with some top players in their fields. So let’s drop a few names; “Headlight Dreams” was recorded in Nashville, Tennessee, produced by Kevin Shirley, mastered by Bob Ludwig, liner notes by Stephen Thomas Erlewine (from AllMusic), and a guitar solo on “Wind In Your Hair” by one of my favourite guys from the more recent crop of Blues guitar-slingers, Joe Bonamassa.

Louw also brought in some of the best musos in Nashville, namely Kevin McKendree (keyboards), Alison Prestwood (bass), Rob McNelly (guitars) and Greg Morrow (drums). Steve Louw wrote all the songs and sings and plays acoustic guitar.

This album is filled with great songs, from the bluesy, lyrically hard-hitting “Get Out Of My Heart” to the bouncy “Queen Bee Maybe” with its delightful Hammond organ solo from Kevin McKendree, however my favourite track on this album is the almost proggish “Train Don’t Run”. Clocking in at seven and half minutes this is an epic tune that you hope never finishes. There is a soaring guitar solo by Rob McNelly that David Gilmour fans will love. No surprise to discover that this track was mixed on the same console as the classic “Dark Side Of The Moon“.

If you immerse yourself in the Steve Louw back-catalogue you will find recurring themes and reappearing characters, in a similar vein to Rodriguez, Piet Botha and many others. It is one of the things I love about listening to music, that there are rewards for paying extra attention.

This album can be played in the background, but if you give it your full awareness and dive into its depths you will be rewarded with poetic lyrics melded with great tunes, recorded by superb musicians.

Steve’s enthusiasm for life and love is expressed in every note in this superb creation. “Headlight Dreams” deserves to be listened to over and over again, and if you do, you will get something new every time.

Steve Louw on Social

Colin Shamley Dies

Colin Shamley was one of the great musical commentators on life, love and politics in South Africa. I first met him at Dave and Franny’s house in High street, Berea, where I was squatting and selling zol to keep body and soul together. Colin was playing at Mangles and the first time I heard him it was a revelation. The skill, the words, the humour and the incisive view of our crazy world. One of my first gigs was opening for him at Mangles and I went down like a fart in a spacesuit to the mainly biker audience. But it didn’t take long to learn a few of the basic rules of the game from Colin, and I was up and running. I played at Mangles for a year before I recorded my first album. Colin recorded his master work ‘Born Guilty’ at about the same time and both albums received critical acclaim but few sales. “Born Guilty” is truly one of the greatest works ever to come out of this country. Colin died this morning after a long illness. Hamba Kahle Maestro.

Roger Lucey, from Jive Talking & Eyeballing

#MusicExchange: Steve Louw releases new album Headlight Dreams | Biz Community

From Biz Community, by Martin Myers

It’s hard to believe the last music we heard from Steve Louw arrived seven long years ago. With the wait now finally over, fans right around the world are already embracing the pop-rock icon’s return with arms wide open. The past year has been a rich and hugely rewarding one for Louw. Not only did Louw record his brand-new album, Headlight Dreams, in Nashville along with his long-time friend and producer extraordinaire Kevin Shirley (John Hiatt, Joe Satriani, Led Zeppelin, The Black Crowes), but Grammy Award-winning singer/songwriter and genius guitarist Joe Bonamassa also pitched up and added his magic to the record. 

#MusicExchange: Steve Louw releases new album Headlight Dreams
Steve Louw

To boot, Sony ATV, upon hearing the finished album, offered Louw his first international solo artist record deal.

The album, which is out now, already has two singles on high rotation, “Crazy River” and “Wind in your Hair”; the latter is the one that’s quite literally blowing up all around the world. In its first week of release in the US, the track landed at the highly coveted number two position on the Billboard ACC Folk Chart, ahead of the likes of the equally commendable Rhiannon Giddens and Francesco Turrisi.

“Wind in your Hair” is the track that sports Joe Bonamassa guitar fills and outstanding middle-eight. The single has had over 100,000 plays on Spotify in under three weeks. 

With 10 tracks captured in an arresting three-day recording sprint, producer Kevin Shirley channelled each one of Headlight Dreams’ songs through a vintage Neve console inside of a converted church. 

“From the first moment, I loved the acoustics of the studio and the vibe created by the wonderful Nashville musicians with their great feel and playing, drawing you into a world shimmering in the half-light, just out of reach,” Louw shares.

A consummate storyteller, a supremely gifted guitarist and a genuinely wonderful human being, Louw’s Headlight Dreams is a beautiful statement.

I caught up with the Cape Town resident last week. 

BizcommunityThe new decade means: Radical carbon emission cuts.

BizcommunityFame is about: An illusion.

#MusicExchange: Steve Louw releases new album Headlight Dreams
Steve Louw and Kevin Shirley

BizcommunityRetirement will happen when: You have lived beyond three figures

BizcommunityI don’t do:Fake people. 

BizcommunityMy music is about: Everyday experiences.  

BizcommunityWhat is the most enjoyable aspect of your work? Playing live and singing. 

BizcommunityThe song you must do in every show: “Waiting for the Dawn” 

BizcommunityAny funny moments on stage: When the power tripped, half the show was acoustic; we just kept playing. Luckily, the power came back and then we had an electric show.

BizcommunityMy style icon: Bob Dylan. 

BizcommunityWhat is your most treasured possession? My 1964 Epiphone as played by John (Lennon), Paul (McCartney) and George (Harrison). 

BizcommunityIt’s your round, what are you drinking? Glenmorangie Single Malt. 

BizcommunityWhat makes you stand out? The stage lights. 

BizcommunityNicknames: Stevo. 

BizcommunityIf you were not a musician, what would you do? Conservation. 

BizcommunityWho would play you in a Hollywood blockbuster and why? Edward Norton; we both smirk. 

#MusicExchange: Steve Louw releases new album Headlight Dreams
Steve Louw

BizcommunityPick five words to describe yourself: Musical, songwriter, guitar player, dendrophile, singer.

BizcommunityFive favourite SA albums: 
GBB – Eet Kreef
Baxtop – Work It Out
Juluka – Scatterlings
Tananas – Tananas
Tribe After Tribe – Power

BizcommunityWhat is your favourite word? Truth.  

BizcommunityFavourite fashion garment: My leather flying jacket. 

BizcommunityGive us some real proper slang and what it means: Lank kiff: Awesome, great. 

BizcommunityYour greatest achievement: My family. 

BizcommunityWhat do you complain about most often? Dishonesty. 

BizcommunityWhat is your fear? Large puff adders. 

BizcommunityHappiness is: Riding motorcycles. 

BizcommunityWhere would you like to be right now? Where I am.  

BizcommunityDo you do charity work and, if you do, what do you do? Yes, conservation. 

Twitter: @stevelouwmusic

Website: SteveLouw.com

Steve Louw new album ‘Headlight Dreams’ out today & featuring Joe Bonamassa | Music Exchange

In less than 3 weeks since the single release with Joe Bonamassa entitled “Wind in your Hair” Spotify figures reveal over 68 000 listeners and over 98 000 streams of the song “Wind in your Hair “ – a remarkable feat!

Steve Louw shines on Headlight Dreams

Cape Town, 7 May 2021 – It’s hard to believe the last new music we heard from Steve Louw arrived seven long years ago. With the wait now finally over, fans right around the world are already embracing the pop/rock icon’s return with arms wide open.

The past year has been a rich and hugely rewarding one for Steve. Not only did Steve record his brand-new album, Headlight Dreams, in Nashville, along with his long-time friend and producer extraordinaire, Kevin Shirley (John Hiatt, Joe Satriani, Led Zeppelin, The Black Crowes), but Grammy Award-winning singer/songwriter and genius guitarist, Joe Bonamassa also pitched up and added his magic to the record. To boot, SONY ATV, upon hearing the finished album, offered Steve his first international solo artist record deal.

The album now out and with two singles already on high rotation, “Crazy River” and “Wind in your Hair”, the latter is the one that’s quite literally blowing up all around the world. In its first week of release in the US, the track landed at the highly coveted Number Two position on the Billboard ACC Folk Chart, ahead of the likes of the equally commendable Rhiannon Giddens and Francesco Turrisi.

Along with its spellbinding video, “Wind in your Hair is the track that sports Joe Bonamassa guitar fills and outstanding middle-eight. What makes this song all the more special for its maker is the fact that Kevin sent it to a friend to master, thereby adding the final piece of magic to this blinding brilliant musical statement.

Wind In Your Hair


Steve’s wedding anniversary was coming up two days after the album wrapped and, unbeknownst to Steve at the time, Kevin had sent the track to mastering legend, Bob Ludwig and within a day he’d mastered it and sent it on to Steve on the day as a gift to celebrate his nuptials. “When I got it, I played it on my little Bose speaker out into New York. It was one of the greatest moments ever!” Steve recalls. To top it off, Bob sent an email with the final mastered track saying, “What a wonderful song, what a wonderful vocal performance, I loved working on this”. “I practically did a giddy summersault,” he recalls.

As to the creation of the track, Steve points to how, lyrically, he sings of love changing and building between two people as life throws up detours and bridges. “It’s a love story exploring how two people, who love each other but have different needs and desires, travel through their life and love. The chorus kicks back to the joy of love, while the verses take you on a journey of rough and smooth roads and winding passes, ending at the place they set out for.”

With ten tracks captured in an arresting three-day recording sprint, producer Kevin Shirley channelled each one of Headlight Dreams’ songs through a vintage Neve console inside of a converted church. “From the first moment I loved the acoustics of the studio and the vibe created by the wonderful Nashville musicians with their great feel and playing, drawing you into a world shimmering in the half-light, just out of reach…,” Steve shares.

With the promise of future live shows in support of the album’s release, fans can look forward to sharing what is the greatest ride of Steve Louw’s life. A consummate storyteller, a supremely gifted guitarist and a genuinely wonderful human being, Steve’s Headlight Dreams is a beautiful statement, endorsed and applauded by everyone it touches.

Headlight Dreams is out now via BFD/The Orchard.

Website: SteveLouw.com

Review: SATELLIET – ‘The Buckfever Underground’ | Underground Press

From https://www.undergroundpress.co.za/reviews/eps/review-satelliet-the-buckfever-underground

The Buckfever Underground’ have created a work of art that may leave you feeling strong and somewhat mellow, wallowing in the calm after entertaining the demands of chaos.

Jodie Reid, 16th April 2021

Asem in, asem uit’ and enter the smooth, poetic ambience created by The Buckfever Underground with their latest, spoken word and experimental EP – Satelliet.

Recorded predominantly on cell phones during the creative silence of 2020 – The Buckfever Underground have created a soothing selection of poetry and musical builds that echoes emotions experienced by many of us in recent days. Their EP – ‘Satelliet’ transports listeners through sections of calm tied into subtle frustration with clean acoustic guitar, beautifully spoken poetry and distant ambient tones.

Composed by Michael Currin (guitar), Stephen Timm (production, effects) and Toast Coetzer (vocals, lyrics) ‘Satelliet’ carries through the band’s strong opinions that have been shared with the public since 1998 and exudes characteristics of experimental music with an improvised air. Captivating track names like ‘Love in the Time of Visas’ (2002) and ‘Die Volk’ (featured in the top 100 best protest songs, 1998) engage eyes and ears simultaneously.

The first two tracks of ‘Satelliet’ – specifically: ‘My Geheim Aan Jou’ emits a tone of surrender to whatever the world has in store. This mood starts to shift once the first few seconds of ‘The News’ introduces frustrating topics explored through the media. ‘Ice Pyramid’ creates a transition between opposing moods, exploring both light and dark aspects until the subtle melodies of ‘Een Oog’ drift towards the melancholy. The sounds of ‘Satelliet’ come to an end during ‘The Valley of the Dancing Stones’ which explores all that the world has to offer and leaves listeners in deep contemplation.

The Buckfever Underground’ have created a work of art that may leave you feeling strong and somewhat mellow, wallowing in the calm after entertaining the demands of chaos.

BELOVED SOUTH AFRICAN SINGER / SONGWRITER STEVE LOUW RELEASES NEW VIDEO / SINGLE, “CRAZY RIVER”

Steve Louw

April 6 2021, Capetown, SA: Today, much-revered South African singer/songwriter/guitarist, Steve Louw releases, “Crazy River,” the first track from his forthcoming album, Headlight Dreams to be released in May via BFD/The Orchard. 

Steve Louw - Headlight Dreams

The song itself is an upbeat, transcendent ode to the beauty of a river, its timelessness against the impermanent world it runs through, and the aspects of ourselves that long to be just like it. Louw, with a rich lifetime of music making under the belt, gets it and embraces the moment. The video puts him occasionally front and center, singing and playing with millennial enthusiasm, yet with the confidence that experience brings, his image juxtaposed with footage and stills of lives lived large against a backdrop of mountains, valleys and rapids. So lush is it all that one could just jump at the screen before getting a hold of themselves. 

Says Louw of the song, “I once took a long canoe trip down the Colorado River, through the Grand Canyon and out again. It was a very spacy spiritual place and it felt like I was on a journey to the middle of the earth. I wrote this after the trip. On one level the song is about the river trip and the journey deep inside the raw power and beating heart of nature, but it also reflects on time, our time on Earth, how we experience it, and how the bonds of deep personal relationships with our fellow travellers nurture our souls. I played the acoustic guitar using a few African-style riffs and the band picked up on that feel. Guitarist Rob McNelley contributed beautiful slide guitar.” 

From the moment he jumped into the South African music scene in the eighties, he was swimming with the best of em. At that time, he fronted All Night Radio, a group that would release two hit records, The Heart’s the Best Part (1984) and The Killing Floor (1986) and establish Louw as a force to be reckoned with on the SA music scene. But in 1990, Steve achieved legendary status after forming Big Sky, who won the honour of Best South African Rock Act in 1996 and were subsequently accepted into the SA Rock Hall of Fame. In 1998, they supported Rodriguez on tour and were incidentally featured in the film, Searching For Sugar Man.

In 2003, Steve collaborated with Dave Stewart (Eurythmics), Anastacia and Brian May (Queen) on a song called “Amandla” that was performed for the Madiba’s 46664 concert in Cape Town by Beyonce and Bono.

He also played and recorded with the aforementioned Rodriguez, Blondie Chaplin and Kevin Shirley, who produced Headlight Dreams. The new album also features a guest spot from heroic guitarist Joe Bonamassa on “Wind In Your Hair.”

Stream/download “Crazy River” here: https://orcd.co/SteveLouwCrazyRiver 

Pre-save/pre-add/pre-order Headlight Dreams here: https://orcd.co/SteveLouwHeadlightDreams 

For more information, please visit: http://stevelouw.com/

Twitter @stevelouwmusic 

And for any media inquiries, please contact: 

Martin Myers / Jason Curtis 

083 448 4475 / 082 555 5993

Steve Louw

Sugar Man by Riskology Radcliffe

Dear Sixto and Team

My name is Jay, I am a rapper living in the UK, and I was born in Zimbabwe and grew up in South Africa in the post-apartheid, ‘Searching for Sugar Man’ era. I spent my youth watching Cheech and Chong films and Listening to Sixto in various shebeens around Johannesburg, smoking good weed.

I unfortunately ended up in Jail which led me to the UK, upon my release. I then followed a path of music to steer my life away from drugs and the perils that come with it. I decided to do a ‘Sugar Man’ remix, which is an ode and a story of my perils with a modern era take, with the original chorus to keep authentic and change the verse to rap style vocals.

I have registered and released the remix and obviously Sixto is the beneficiary of this, which I am more than happy with. I am writing to request an opinion or a short moment for feedback. The album and song in particular were such a huge part of my up-bringing and being from South Africa, where the story is Legend, I was hoping I may get a moment of feedback.

In truth it took me over ten years to complete, as one, I was on a journey (sure you can relate) and two, I wanted it to be a worthy offering. There were various different versions made between bpm’s etc, however it took ages to get to the point where I thought I would one, hopefully keep the essence and make Sixto proud however and  two, still reach this modern generation. So, to get some feedback would be awesome, please.

I also hope I have not offended anyone in this process, as  it was done with pure love and inspiration in mind and,  as I mentioned, Sixto is the beneficiary who I am happy to send info relating to.

I also have a cool artwork animation on my insta profile (@riskology) where the artwork of the table and menu all become interactive and trippy.  I have attached a short animation of the artwork that my biz partner, Rowan L Designs, made for the release , it took her years to perfect and this artwork took hours/months to produce as each item is an individual layer and all parts interact, she did an amazing job.

See artwork at: https://drive.google.com/file/d/1tyN5tHuiecuPyFW9_pkHIp9XE5oI48VJ/view

Anyway – I hope this email finds you all well in these crazy times. And, on behalf of my whole generation, Thank You for the love, light, and inspiration, I look forward to hearing back from you 1love,

Jay Radcliffe


Email: 1riskology@gmail.com

HAU! #1 feat John Kongos, Jack Hammer, Ramsay MacKay, Tribe After Tribe, Falling Mirror, Rabbitt

HAU!

“Hau!” is a Zulu expression of astonishment.

If you are not from South Africa, I hope you will be astonished at what great music you might have missed.

Hopefully this series of mixes will help to rectify that.

More information about most of these artists can be found at www.Rock.co.za

ARCHIVE:
https://www.mixcloud.com/briancurrin/playlists/hau-series/

1. Riff Valley – Off The Edge
2. Sex – Pressure Cookies feat Willem Moller
3. Mumbo Jumbo – Ramsay MacKay feat Trevor Rabin
4. Tokoloshe Man – John Kongos
5. Tribal Fence – Rabbitt feat Margaret Singana
6. Russian & Chips – Jack Hammer
7. Judas – David’s Confession
8. Johnny Calls The Chemist – Falling Mirror
9. Riders On The Storm – Gordon’s Suitcase feat Piet Botha
10. Sittin’ (Take Me Home) – Toxic Shame
11. Pharaoh’s Tomb – Titus
12. Wild Warrior – Arapaho
13. Swans – Tribe After Tribe
14. Who Killed Kurt Cobain – Koos Kombuis

Website Powered by WordPress.com.

Up ↑

%d bloggers like this: