This mix opens with a recent cover version of “Sugar Man” by South African singer Rebekah Thompson.
This version plays under the closing credits of the 2019 film “Moffie” which is about a young man drafted into South Africa’s military, but he knows he is different and must keep himself hidden.
1. Sugar Man (from Moffie) – Rebekah Thompson 2. Heart Of Glass (Crabtree remix) – Blondie & Philip Glass 3. Adagio In G Minor – The Doors 4. Oblivion – M83 feat Susanne Sundfør 5. The Black Page #1 (piano version) – Ruth Underwood 6. Love Scene (from Zabriskie Point) – Richard Wright 7. The Rains Of Castamere (from Game Of Thrones) – Ramin Djawadi & Serj Tankian 8. Skyrim (Dragonborn) – Tina Guo 9. Sweet Dreams (Are Made Of This) – Emily Browning 10. Chasing The Dragon – Epica 11. Nymphetamine (Fix) – Cradle Of Filth feat Liv Kristine 12. Crazy In Love (2014 version) from Fifty Shades Of Grey – Beyoncé 13. Tomorrow Never Knows (from Sucker Punch) – Alison Mosshart & Carla Azar 14. Oh! Darling – Peachy Keen 15. Sugar Man – Barbara Moleko
The year is 1981 and South Africa’s white minority government is embroiled in a conflict on the southern Angolan border. Like all white boys over the age of 16, Nicholas Van der Swart (Kai Luke Brummer) must complete two years of compulsory military service to defend the Apartheid regime. The threat of communism and “die swart gevaar” (the black danger) is at an all-time high. But that’s not the only danger Nicholas faces. He must survive the brutality of the army – something that becomes even more difficult when a connection is sparked between him and a fellow recruit.
MOFFIE, is the 4th film by director Oliver Hermanus. It is produced by South African-born producer Eric Abraham who produced the Academy Award-winning films – Pawel Pawlikowski’s Ida (2014) and Jan Sverak’s Kolya (1996) and Jack Sidey of Portobello Productions. It is based on the memoir, Moffie, by Andre-Carl van der Merwe and tells the story of a conscript who embarks on his military service in 1981 South Africa. In local theatres on 13 March 2020.
Dead Men Don’t Tour, Rodriguez in South Africa 1998 (TV Documentary)
Footage from this documentary features strongly in the Oscar winning film, Searching For Sugar Man.
Directed by Tonia Selley, Dead Men Don’t Tour, was first broadcast on SABC 3 at 9.30pm on the 5th July 2001 just after ‘Ripley’s Believe Or Not’.
This film features wonderful concert footage, backstage antics, interviews with Craig Bartholomew Strydom and Stephen “Sugar” Segerman, Rodriguez and his family, the promoters, the fans and the musicians.
All live footage was filmed at the concerts in Pretoria, Durban and the Blues Room in Johannesburg.
The soundtrack for the documentary is based on the Live Fact CD with video collages from the various performances. The concert footage is linked with interviews, backstage antics, rehearsals, etc.
Inner City Blues
Jane S. Piddy
A Most Disgusting Song
Climb Up On My Music
I Wonder by Generation EXT (filmed during the studio recording)
Produced by Incha Productions
Executive producers: Georgina Parkin and Charles Watson
Directed by Tonia Selley
Edited by Cathy Winter
Footage from this documentary features strongly in the Oscar winning film, Searching For Sugar Man.
The TV advert says that the “Searching For Sugar Man” soundtrack “includes 3 previously unreleased songs” but this is not true.
“Street Boy”, “Can’t Get Away” and “I’ll Slip Away”, recorded in 1972/73, were first released on the Australian “At His Best” album. They are also included as bonus tracks on the 2009 US release of “Coming From Reality” (which is known as “After The Fact” to South Africans).
I often joke with people in the UK that I didn’t leave South Africa of my own free will, but was actually kicked out because I was not fanatical about rugby and I didn’t drink, both activities that white South African males are meant to excel at. I could also have said in 1996, when I moved from South Africa to the UK, that a further reason for my being exiled was that I did not own a copy of ‘Cold Fact’ by Rodriguez. However no one in the UK would have understood what I was talking about.
But now with Malik Bendjelloul’s brilliant film ‘Searching For Sugar Man’ bringing Rodriguez to the world’s attention, I can mention the omission in my music collection and not be met with question mark faces. I am still not a huge rugby fan and have not taken to drinking alcohol, but I did rectify the lack of ‘Cold Fact’ problem on one of my early trips back to SA a couple of years after moving. I had been familiar with the album’s distinctive cover from many an hour spent flicking through the albums at my local record shop, but as a teenager in the 80’s I was hell bent on finding the next big New Romantic band and had no interest in ‘fossil music’ as I thought of it back then.
A further reason for the lack of ‘Cold Fact’ in my collection was that I managed to avoid military training (where a lot of guys were introduced to Rodriguez’ music) and counted my days working at the Receiver of Revenue, which I regarded as the lesser of two evils. Purchasing ‘Cold Fact’ became almost mandatory when I was lucky enough to befriend Brian Currin and Stephen ‘Sugar’ Segerman, both of whom played a part in discovering the fate of Rodriguez. I was drawn into the world of the SA Rock Digest, an online music magazine focussing on South African Rock music, which Brian and Sugar had set up. With two such music aficionados as friends, I quickly discovered gaping holes in my music knowledge, especially regarding the rock scene in South African in the 70’s.
I began to correct this problem so as not to look foolish in front of my new found friends and part of the polyfilla (spackling paste to those not familiar with this brand) to mend the gaps was purchasing a copy of ‘Cold Fact.’ I don’t recall ever having heard the album before that and, given its banned status on the radio, could not have unknowingly heard it there, but as the first chords of ‘Sugar Man’ wafted through my speakers, I knew the song. It was as if it was a part of the ether in South Africa and had just soaked into me whether I had heard it or not. ‘I Wonder’ was also familiar to me and the rest of the album, although less soaked in, was also striking a nagging familiar chord.
Yes, unless you believe in the collective consciousness, I must have heard the album somewhere before that ‘first’ listen, but I cannot for the life of me remember where. That said, a part of me does like to believe that the music was just in the air we breathed in SA, that it was, and will always just somehow be there, as essentially part of life as oxygen and sunshine. This image, to me, seems to fit in with the mystical and almost mythical character that is Rodriguez.
ORIGINAL MOTION PICTURE AND SOUNDTRACK BRINGS RODRIGUEZ’S INCREDIBLE LIFE STORY AND 1970s MUSIC TO A NEW GENERATION
Soundtrack available everywhere starting August 13, 2012, through Columbia/Legacy
“The buzzworthy Sundance documentary” – Yahoo!
“An acclaimed new documentary goes hunting for the lost Dylan” – Grantland
“The tale is better than the telling – and the soundtrack’s better still – but music this monumental demands its moment. Now go and buy the album” – Matt Glasby Total Film UK
“I found the story in 2006. I was looking for stories, travelling around South Africa and America, and thinking the purpose was to sell them to Swedish TV, because I’d been working for Swedish TV before. I found this story and it was the best story I’d ever heard in my life and probably ever will; a great, great story.” Director, Malik Bendjelloul
We all know the lyrics, we may even have been a fan, but who knows what happened to the musician who brought us Sugar Man? SEARCHING FOR SUGAR MAN is the most improbable but true story you will ever witness on the big screen. Rodriguez, a mysterious Detroit singer-songwriter, became a source of hope and inspiration to the anti-Apartheid movement in South Africa and then he disappeared – until two South Africans set out to discover what happened to one of the biggest music sensations this country has ever known. The thought-provoking new documentary film, SEARCHING FOR SUGAR MAN, will be screened exclusively at select Ster-Kinekor and Cinema Nouveau theatres on 31st August and is not to be missed!
Directed by Malik Bendjelloul, SEARCHING FOR SUGAR MAN tells a story that begins with the 1970 release of Rodriguez’s debut album, Cold Fact.
Discovered in the late 1960s, Rodriguez impressed producers with his Dylanesque songwriting. As a charismatic and mysterious artist he built a strong local following and became a true folk hero in the purest sense.
While Cold Fact was critically acclaimed, it did not succeed commercially, and despite the release of a second LP, Rodriguez drifted into obscurity. Rumors of his fate were widely and wildly exaggerated, ranging from reports of escalating depression to a sensationally gruesome suicide onstage, involving self-immolation.
Meanwhile, the LP had made its way around the world to South Africa, where it was banned by an oppressive government. Copies were bootlegged and circulated, and Rodriguez inadvertently became the soundtrack of an emerging liberal youth, including many liberal Afrikaans musicians for whom Rodriguez became an inspiration for their own music.
Over the next two decades, Rodriguez became a household name in the country, where the number of copies of Cold Fact would have earned it platinum sales status.
Both sides of the story, Rodriguez’s life in Detroit and the subsequent impact of his music in the smoldering Apartheid era proved fascinating to Stockholm-based documentary filmmaker Malik Bendjelloul.
His subjects have included Kraftwerk, Björk, Sting, Elton John, Rod Stewart, Madonna, Mariah Carey, U2, Kylie Minogue, Prince, and others. His short documentary films for Swedish Television’s international cultural weekly show Kobra, became the basis for such films as Men Who Stare At Goats (George Clooney) and The Terminal (Tom Hanks).
SEARCHING FOR SUGAR MAN, a Red Box Films & Passion Pictures Production in association with Canfield Pictures & The Documentary Company, distributed by Sony Pictures Classics, premiered in New York on April 24th at the Tribeca Film Festival.
The film opened in New York and Los Angeles on July 27th and will open in other markets throughout the month of August. For a complete release schedule, visit the film’s website at www.SearchingForSugarManMovie.com.
Searching for Sugar Man release cinemas:
1. Rosebank Nouveau
2. Gateway Nouveau
3. Cavendish Nouveau
4. V&A Nouveau
5. Brooklyn Nouveau
6. Garden Route Mall
7. Mimosa Mall
8. Somerset Mall
Searching for Sugar Man (Original Motion Picture Soundtrack) – Tracklisting
1. SUGAR MAN
2. CRUCIFY YOUR MIND
4. I WONDER
5. LIKE JANIS
6. THIS IS NOT A SONG, IT’S AN OUTBURST: OR, THE ESTABLISHMENT BLUES
SEARCHING FOR SUGAR MAN is a film about hope, inspiration and the resonating power of music. In the late ’60s, two celebrated producers who were struck by his soulful melodies and prophetic lyrics discovered a musician in a Detroit bar. They recorded an album that they believed was going to secure his reputation as one of the greatest recording artists of his generation. In fact, the album bombed and the singer disappeared into obscurity amid rumors of a gruesome on-stage suicide. But a bootleg recording found its way into apartheid South Africa and, over the next two decades, it became a phenomenon. Two South African fans then set out to find out what really happened to their hero. Their investigation led them to a story more extraordinary than any of the existing myths about the artist known as Rodriguez. This soundtrack consists of a selection of songs featured in the film but originally found on Rodriguez’s records COLD FACT and COMING FROM REALITY. – Amazon.com
1. Sugar Man
2. Crucify Your Mind
4. I Wonder
5. Like Janis
6. This Is Not A Song, It’s An Outburst: Or, The Establishment Blues
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