THE BEST RECORD STORES TO VISIT IN RED CITIES | RadissonRed

Extracted from https://www.radissonred.com/blog/music/the-best-record-stores-to-visit-in-red-cities/

Mabu

Immortalized in the Searching for Sugar Man documentary film, this is a great introduction to African rhythms and the genres are as broad and all-encompassing as the continent itself. Hip hop, house, jazz, soul, funk, R&B – check. But add rock, pop, techno and dancehall too – and you’re still not even close to unearthing the full extent of this Gardens favorite, a nice addition to this upscale suburb of the city.

2 Rheede Street, Gardens, Cape Town, 8001, South Africa

www.mabuvinyl.co.za

 

Kapstadt – Searching for Sugar Man

on 21. Januar 2016 at 15:00

Original article at http://www.sirenen-und-heuler.de/kapstadt-searching-for-sugar-man/

[Please scroll down for Google’s translation from German to English]

Eigentlich wollte ich einkaufen gehen. Dann sehe ich im Schaufenster dieses Platten-Cover. Im nächsten Moment saugt mich ein Zeittunnel ein. Ich treffe auf einen totgeglaubten Superstar, Südafrika in den Seventies, treue Fans und ein Stück Musikgeschichte: Searching for Sugar Man

„Was sind die wichtigsten Sehenswürdigkeiten von Kapstadt“, frage ich Stephen “Sugar” Segerman. Er lacht. „Der Tafelberg, Robben Island und Mabu Vinyl“, antwortet er und guckt mich aus seinen großen Brillenaugen an. „Kein Scheiß, wir haben hier richtig viele Besucher“, fügt er grinsend hinzu. „Besonders seit Sugar Man…“

Searching-for-Sugar-Man---Der-Plattenladen-Mabu-Vinyl-in-Kapstadt

Es gibt wahrscheinlich keinen Ort auf der Welt, der mehr über Sugar Man erzählen kann als dieser Plattenladen

Zurück in die Zukunft

Mabu Vinyl ist Sugars Plattenladen. Gemeinsam mit einem Kumpel hat er ihn aufgebaut. Ein paar Regale Bücher, ein paar CDs und DVDs, vor allem aber Vinyl. Überall Kartons mit Langspielplatten. Abertausende! Sein Freund Brian arbeitet auch hier. Sugar Man hat sie zusammengebracht. Und wenn sie von Sugar Man erzählen, dann ist das die Geschichte, die ihr Leben verändert hat.

Ich kenne diese Geschichte schon, als ich den Laden betrete. Ich kenne sie aus dem Film „Searching for Sugar Man“. Einer der besten Dokumentarfilme aller Zeiten, finde ich, und eine fantastische musikalische Entdeckung obendrein. Ohne den Film wäre ich niemals auf Sugar Man alias Sixto Rodriguez gestoßen, und das wäre jammerschade, denn dieser Sixto Rodriguez kreiert nicht nur geniale Songs, er hat auch wirklich was zu sagen. Trotzdem verschwindet er jahrzehntelang in der Versenkung – vielleicht, weil er einen spanischen Namen hat oder weil er aus den Slums von Detroit kommt. Doch dann macht das Schicksal einen dieser irrwitzigen Schlenker und katapultiert ihn aus dem Nichts wieder auf die Bühne, wie im Märchen.

Dieses Wunder verdankt er drei treuen südafrikanischen Fans: Sugar, Brian und Craig. Zwei von ihnen stehen jetzt vor mir und erinnern sich, wie das damals war. Auf einmal ist aus dem Film Wirklichkeit geworden.

Searching-for-Sugarman---Stephen-Sugar-Segerman-in-seinem-Plattenladen

Stephen „Sugar“ Segerman in seinem Plattenladen: Vom Fan zum Musikunternehmer

Searching for Sugar Man

„Sugar man, won’t you hurry, Cos I’m tired of these scenes, For a blue coin won’t you bring back, All those colors to my dreams“

Sugar Man, der Koks-Dealer aus Rodriguez‘ gleichnamigem Song, wird zum Synonym für eine unglaubliche Gralssuche. Sie beginnt 1997. Rodriguez steckt zu dieser Zeit in einer Sozialwohnung in Detroit. Er entrümpelt Wohnungen, jobt auf dem Bau oder an der Tankstelle. Seine Gitarre hat er immer dabei, weil die sonst gestohlen wird. Ab und zu tritt er mit ihr in Kneipen auf.

Mit dem Musik-Business hat er nichts mehr zu tun, nachdem Anfang der 1970er Jahre zwei Alben gefloppt sind – in den USA! Was Rodriguez nicht weiß: Südafrika ist total verrückt nach ihm! Dort wird er zum Helden der Anti-Apartheid-Bewegung, seine Songs treffen das Mark einer ganzen Protestgeneration. Auch Sugar, Brian und Craig hängen am Radio, wenn Titel wie „Sugar Man“, „Cause“ oder „I wonder“ gespielt werden, tauschen Kassettenaufnahmen aus und glauben wie alle anderen, dass Rodriguez sich wahlweise auf der Bühne erschossen hat, verbrannt ist oder an einer Überdosis zugrunde ging.

Die Legende vom frühen Tod des Lieblingsstars hält sich im medial abgeschotteten Südafrika mehr als zwei Jahrzehnte lang. Dann fällt das Apartheid-Regime und das Internet boomt, beides etwa zeitgleich. Anfang 1997 setzen Sugar und Brian unabhängig voneinander eine Website auf. Der eine will wissen, wie Rodriguez nun wirklich gestorben ist, der andere will ihm ein Denkmal setzen und alles über ihn herausfinden. Sie tun sich zusammen. Der dritte im Bunde ist Craig: DJ, Journalist und natürlich auch ein glühender Fan.

Searching-for-Sugar-Man---Kein-Quadratzentimeter-Platz-bleibt-frei

Von Anfang an dabei: Brian Currin am Tresen von Mabu Vinyl

Gemeinsam finden sie das Unglaubliche heraus: Rodriguez alias Sugar Man lebt! Was folgt, ist ein Jahr im Fieber. Schließlich machen sie sich auf die Reise und besuchen ihr Idol. Das Setting erinnert an die Weihnachtsgeschichte: Detroit ist Bethlehem, die schäbige Mietwohnung der Stall und die drei Südafrikaner sind die Könige aus dem Osten, die ihrem Heiland Ruhm, Glanz und Ehre darreichen.

Rodriguez nimmt die Gabe an. Gitarre spielen kann er noch und die harte Arbeit hat den 56-Jährigen in Form gehalten. Die Stimme ist auch noch da. So betritt er die Bühne.

Searching-for-Sugar-Man---Rodriguez-und-seine-Entdecker-1998-in-Kapstadt

When we were young – Rodriguez und seine Entdecker bei seinem ersten Konzert in Kapstadt 1998. Der zweite von links ist der Sugar Man selbst, rechts von ihm stehen Brian und Sugar

Neustart in Kapstadt

„Kapstadt ist Athen, Joburg ist Rom“, sagt Sugar selbstbewusst. Wenn es um Kultur geht, sieht er seine Heimatstadt klar vor Johannesburg oder Joburg, wie hier alle sagen. Kein Wunder also, dass der totgeglaubte Sugar Man seine Wiederauferstehung zuerst in Kapstadt feiert.

Brian kann sich noch genau daran erinnern. Am 2. März 1998 betritt Rodriguez in Kapstadt erstmals südafrikanischen Boden. Nur einen Tag später beginnen die Proben, und am 6. März bringt er das Velodrome in Bellville ganz im Osten der Stadt zum Beben. Was das beim Publikum auslöst, fängt die TV-Dokumentation „Dead Men Don’t Tour“ ein – ansatzweise jedenfalls.

Kapstadt steht Kopf. Dasselbe passiert in Johannesburg, Pretoria und Durban. Ganz Südafrika liegt dem Sugar Man zu Füßen. Und Rodriguez kommt wieder, mittlerweile fast jedes Jahr. Ende Januar ist der nächste Termin, die Konzerte sind fast alle ausverkauft. Mit dem Comeback in Kapstadt hat sich das Leben des Songwriters komplett geändert. Er tourt durch die ganze Welt, hat jetzt auch in seiner Heimat Erfolg und füllt die Arenen von den USA bis Japan. Für Sugar ist klar: Rodriguez ist „der größte alte neue Künstler auf dem Planeten“.

Sugar Man ändert alles

Sugar und Brian erzählen, als könnten sie immer noch nicht glauben, was da passiert ist. „Du musst dir mal überlegen“, sagt Brian, „wir waren einfach nur Fans. Keiner von uns war im Musikgeschäft“. Doch die unverhoffte Begegnung mit Rodriguez macht aus ihnen neue Menschen.

Gemeinsam starten sie 1999 das E-Magazin „The South African Rock Music Digest„, vier Jahre später steigt Sugar mit der Gründung von Mabu Vinyl ins Plattengeschäft ein. Brian, immer schon ein wandelndes Musiklexikon, verdient da noch seine Brötchen als Sales Manager bei Panasonic. 2007 zieht er den Stecker und steigt aus. Heute steht er jeden Tag im Plattenladen, unterhält eigene Websites und Online Shops und bestreitet zwei Musiksendungen im Internetradio.

Searching-for-Sugar-Man---Vinyl-Spezialist-Brian

Vinyl-Spezialist Brian findet jede Platte. Im April letzten Jahres setzte Mashable den Kapstädter Plattenladen Mabu Vinyl auf die Liste der 12 weltbesten Vinyl Stores

Dann taucht aus heiterem Himmel Malik Bendjelloul auf. Der schwedische Dokumentarfilmer hat von der wundersamen Suche nach Sugar Man gehört und will aus dem Plot einen Zehnminüter machen. Auf Zehnminüter ist er nämlich spezialisiert. Als er in Kapstadt ankommt, hat er nur eine Kamera samt Kamerafrau dabei, sonst nichts. Low Budget heißt die Devise.

Doch aus dem Zehnminüter werden rasch 15, 20, 25 Minuten, und immer noch ist der Film nicht fertig. Malik Bendjelloul ist fasziniert von dieser Musik, die mühelos Jahrzehnte und Weltmeere überbrückt. Er erliegt mehr und mehr dieser verrückten Geschichte mit ihrem theatralischen Knalleffekt.

Dazu kommt Sugar, der den Regisseur mit seiner Begeisterung ansteckt. In Südafrika ist Sugar Fahrer, Location Scout und Caterer gleichzeitig. Aus der Zusammenarbeit wird Freundschaft. Am Ende steckt so viel Herzblut in dem Film, dass die Preise nur so hageln. Sogar einen Oskar gibt es, 2013, in der Kategorie „Bester Dokumentarfilm“.

Film-Destination Kapstadt

Der Film „Searching for Sugar Man“ gibt dem Comeback von Rodriguez noch einmal einen enormen Schub. Und Kapstadt bekommt dadurch eine neue Attraktion: die Fahrt vom Stadtteil Clifton an der Küste entlang. „Die Route im Film nachfahren, das machen viele“, erzählt Sugar. Und viele kommen auch zu ihm und Brian in den Plattenladen – nicht zufällig wie ich, sondern weil sie als Sugar-Man-Fans auf der Suche nach Devotionalien sind.

Unter den vielen Postern und Karten, mit denen die Wände von Mabu Vinyl gepflastert sind, hängt auch ein unscheinbares, handgemaltes Blatt mit der Aufschrift „Malik was here“. Darauf ist ein Zettel gepinnt: R.I.P. 13 May 2014. Malik Bendjelloul ist tot? „Selbstmord“, murmelt Sugar, „keiner weiß, warum“. Seine Augen hinter den Brillengläsern glänzen feucht. Ich frage nicht weiter.

Searching-for-Sugar-Man---Malik-was-here

„Malik was here“ – jedes Märchen hat seine traurige Seite

Service

“Sugar Man – the life, death and resurrection of Sixto Rodriguez” heißt das erst letzten September erschienene Buch, in dem alles über die “ Great Rodriguez Hunt“, die Jagd nach Rodriguez, steht. Geschrieben haben es Stephen “Sugar” Segerman und Craig Bartholomew-Strydom. Und Brian Currin? Der winkt ab: „Ich stehe nicht gern im Rampenlicht“, sagt er.

Wer das Buch bestellen will, kann das hier tun. Wer lieber online stöbert: www.sugarman.org ist die ultimative Website zum Thema. Dort gibt es auch jede Menge Infos zum Film „Searching for Sugar Man“.

Die nächste Kapstadt-Reise ist schon geplant? Dann unbedingt zu Mabu Vinyl in die Rheede Street gehen (kleine Querstraße zwischen Kloof Street und Orange Street im Bezirk Gardens). In dem Stadtteil ging’s mal sehr alternativ zu, mittlerweile hat die Hipster-Dichte zugenommen. Das Viertel ist reich an netten Restaurants und Cafés, außerdem ist das Programmkino Labia einen Besuch wert.

 

Cape Town – Searching for Sugar Man

on January 21, 2016 at 15:00

Actually I wanted to go shopping. Then I look in the window of this album cover. The next moment I sucked up a time tunnel. I meet a presumed dead superstar, South Africa in the Seventies, loyal fans and a piece of music history: Searching for Sugar Man

“What are the main attractions of Cape Town” I ask Stephen “Sugar” Segerman. He laughs. “The TableMountain, Robben Iceland and Mabu Vinyl,” he answers, and looks at me with his big eyes glasses. “No shit, we have right here a lot of visitors,” he adds with a grin. “Especially since Sugar Man …”

Searching-for-Sugar-Man --- The record shop-Mabu Vinyl in-Cape Town

There is probably no place in the world who can tell more about Sugar Man as this record store

Back in the future

Mabu Vinyl is Sugars record store. Together with a friend he has built it. A few shelves books, a couple of CDs and DVDs, and especially vinyl. Everywhere boxes of LPs. But thousands! His friend Brian also works here. Sugar Man has brought them together. And if they tell of Sugar Man, that’s the story that has changed their lives.

I know this story, as I enter the store. I know it from the movie “Searching for Sugar Man”. One of the best documentaries of all time, I think, and a fantastic musical discovery into the bargain. Without the film, I would never have one alias encountered Sugar Sixto Rodriguez, and that would be a shame, because this Sixto Rodriguez created not only ingenious songs, he really know what to say.Nevertheless, he disappears from the scene for decades – perhaps because he has a Spanish name or because he comes from the slums of Detroit. But then fate makes one of these absurd Schlenker and catapulted him out of nowhere back on stage, like a fairy tale.

This miracle he owes three loyal South African fans: Sugar, Brian and Craig. Two of them are now in front of me and remember what it was like. Suddenly has become a reality from the movie.

Searching-for-Sugarman --- Stephen-Sugar-Segerman-in-his-record store

Stephen “Sugar” Segerman in his record store: From Fan to music entrepreneurs

Searching for Sugar Man

“Sugar is, will not you hurry, Cos I’m tired of thesis scenes, For a blue coin will not you bring back, All those colors to my dreams”

Sugar Man, the coke-dealer from Rodriguez ‘eponymous song, is a synonym for an incredible Grail quest. It starts in 1997. Rodriguez infected at this time in a council house in Detroit. He cleared out apartments, Job T on the building or at the gas station. He has his guitar always with you, because that is otherwise stolen. From time to time he comes with her on in pubs.

With the music business, he has nothing more to do, after the early 1970s, two albums flopped – in the USA! What Rodriguez does not know South Africa is totally crazy about him! There he becomes a hero of the anti-apartheid movement, his songs strike at the heart of a whole generation of protest. Also Sugar, Brian and Craig depend on the radio, when songs like “Sugar Man”, “Cause” or “I Wonder” played, exchange cassette recordings and feel like any other that Rodriguez has either shot on the stage, is burned or from an overdose perished.

The legend of the early death of his favorite stars keeps more than two decades in the medial insular South Africa. Then the apartheid regime and the Internet falls booming, both about the same time. In early 1997 set Sugar and Brian independently on a website. One wants to know how Rodriguez is now truly dead, the other wants to put a monument to him and find out everything about him. Do yourself together. The third member is Craig: DJ, journalist and also an ardent fan.

Searching-for-Sugar-Man --- No-square centimeter Square-remain-free

From the very beginning: Brian Currin at the counter by Mabu Vinyl

Together they find out the unbelievable: Rodriguez aka Sugar Man alive! What follows is a year in fever. Finally, they set off on the journey and visit their idol. The setting is reminiscent of the Christmas story: Detroit is Bethlehem, the shabby apartment for rent of the stall and the three South Africans are the kings from the east, the proffering their Savior fame, glory and honor.

Rodriguez accepts the gift. He can play the guitar yet and the hard work has kept the 56-year-olds in the form. The voice is also still there. So he takes the stage.

Searching-for-Sugar-Man --- Rodriguez-and-his-explorer-1998-in-Cape Town

When we were young – Rodriguez and his discovery in his first concert in Cape Town in 1998. The second from the left of the Sugar Man is himself, to his right are Brian and Sugar

Restart in Cape Town

“Cape Town is Athens, Joburg is Rome,” Sugar says confidently. When it comes to culture, he sees his hometown clearly in Johannesburg or Joburg, all say how here. No wonder, then, that believed dead Sugar Man celebrating his resurrection first in Cape Town.

Brian can remember still exactly. On 2 March 1998 in Cape Town for the first time Rodriguez enters South African soil. Just one day later start the sample, and on March 6 he brings the Velodrome in Bellville in the far east of the town to the quake. What triggers the audience, captures the TV documentary “Dead Men Do not Tour” a – to some extent anyway.

Cape Town is upside down. The same happened in Johannesburg, Pretoria and Durban. Southern Africa is the Sugar Man’s feet. And Rodriguez is coming back, now almost every year. The end of January is the next appointment, the concerts are almost all sold out. With the comeback in Cape Town, the life of the songwriter has completely changed. He is touring the world, has now also in his home success and filled the arenas from the USA to Japan. For Sugar is clear: Rodriguez is “the largest old new artist on the planet”.

Sugar Man changes everything

Sugar and Brian tell, as they could still not believe what has happened since. “You have to change your mind again,” says Brian, “we were just fans. Neither of us was in the music business. ” But the unexpected encounter with Rodriguez makes them new men.

Together they start 1999, the e-magazine “The South African Rock Music Digest”, four years later Sugar rises with the establishment of Mabu Vinyl into a plate business. Brian, always a walking music lexicon, there still earned his living as a sales manager at Panasonic. In 2007, he pulls the plug and gets out. Today, he is every day in the record store, maintains its own websites and online shops and denies two music programs on internet radio.

Searching-for-Sugar-Man --- vinyl specialist-Brian

Vinyl Specialist Brian finds each plate. In April last year Mashable put the Capetonian record store Mabu Vinyl on the list of 12 world’s best vinyl Stores

Then appears out of the blue Malik Bendjelloul. The Swedish documentary maker has one heard of the miraculous Search Sugar and wants to make the plot a Zehnminüter. On Zehnminüter he is namely specialized. When he arrives in Cape Town, he has only one camera case with the camera woman, nothing else. Low Budget is the motto.

But from the Zehnminüter be quickly 15, 20, 25 minutes and still is not the finished film. Malik Bendjelloul is fascinated by this music that effortlessly bridged decades and oceans. He succumbs more and more of this crazy story with her theatrical bang.

In addition Sugar, which infects the director with his enthusiasm. In South Africa Sugar driver, Location Scout and caterers at the same time. The collaboration is friendship. At the end is so much passion in the film that prices only hail that. Even an Oscar there, in 2013, in the category “Best Documentary”.

Movie Destination Cape Town

The film “Searching for Sugar Man” is the comeback of Rodriguez again a huge boost. And Cape Town gets thereby a new attraction: the drive from Clifton district along the coast. “The route in the film descendants, which make a lot,” says Sugar. And many come to him and Brian to the record store – not by chance as I do, but because they are as Sugar-Man fans in search of memorabilia.

Among the many posters and cards with which the walls of Mabu Vinyl are paved, and a nondescript, handpainted leaf hangs with the inscription “Malik was here”. Then a list is pinned: RIP 13 May 2014. Malik Bendjelloul is dead? “Suicide,” mutters Sugar, “no one knows why.” His eyes behind his glasses shine moist. I do not ask further.

Searching-for-Sugar-Man --- Malik-what-here

“Malik was here” – every fairy tale has its sad side

service

“Sugar Man – The Life, Death and Resurrection of Sixto Rodriguez” is the only book published last September, where everything on the “Great Rodriguez Hunt”, the hunt for Rodriguez, stands. Written have Stephen “Sugar” Segerman and Craig Bartholomew-Strydom. And Brian Currin? The dismissive gesture: “I do not like to stand in the limelight,” he says.

Who wants to order the book, which can here do. Those who prefer Browsed online:www.sugarman.org is the ultimate site on the topic. There is also plenty of information about the film “Searching for Sugar Man”.

The next trip is already planned and Cape Town? Then necessarily Mabu Vinyl go into Rheede Street (small crossroads between Kloof Street and Orange Street Gardens in the district). In the district’s times went too alternatively, meanwhile the hipster density has increased. The neighborhood is full of nice restaurants and cafes, as well as the program cinema Labia worth a visit.

A Letter To Rodriguez From Liz In Chicago.

Dear Mr. Rodriguez,

I understand you have many, many fans all over the world and likely get thousands and thousands of notes.

I am a loyal fan.

I was at the show you played on Tuesday, May 14, 2014 at the Chicago Theatre. I cheered the loudest.

Your incredible story played on the big screen at the Music Box Theatre, in Chicago. I loved the film, and I truly love you.

My family is here in Detroit and I am in town now. I see that you are across the world, where I have friends in Melbourne. I wish you safe travels. You sounded exactly like you do on your records.

I’m captivated by your incredible story and loving daughters.

Your show was the highlight of my week. Two days later, I lost my job. Two days after that my long-time boyfriend broke up with me. The following week I turned 49. Life – not cancer bad – just life.

I tell you this with the belief that my “fan note” will flicker across your computer screen and you’ll read that seeing you was – most obviously – not just the highlight of my week – but an experience that I relieve when I listen to your voice, from my computer, iPod and car stereo.

Thank you for your efforts that include safety for women – while you sing so beautifully and poetically about social justice.

Mr. Rodriguez, your voice needs to be heard.

As the daughter of a Holocaust survivor, I am actively engaged in “tikun olam” – repairing the world. I’m including a link to a 60-essay that I wrote and read for Holocaust Remembrance Day. I know you will understand:

http://www.wbez.org/episode-segments/holocaust-remembrance-day

Many thanks. I wish you continued good health and success.

I am going to keep track of your tours, with the sincere I hope I will be so lucky to shake your hand – and let you know that I intend to write about you.

Like you, I have important work to do. Educating children about these horrors, that, so astoundingly, continue in other countries.

When the last eye-witness to the Holocaust passes away in my generation – like my dad did, in almost good health, to 95 – it is on me to be their voice, of those who perished.

I look forward to meeting you. I know the line is long. It’s okay. I can wait. I am patient. Like you.

Best wishes,

Liz

Early Albert Hammond, Sixto Rodriguez Songs Featured On The Family Dogg’s “A Way of Life: Anthology”

The Second Disc

Family Dogg - Anthology

Few pop songwriters have proven as adaptable as Albert Hammond.  His string of hits dates from the 1960s straight through the 1990s, and his durable compositions continue to be recorded today.  Yet one chapter of the Hammond legacy has never been properly anthologized until now: his tenure with the British pop group The Family Dogg.  Cherry Red’s RPM label has just delivered A Way of Life: Anthology 1967-1976, named for the band’s U.K. Top 10 hit and including all of the band’s recordings on two CDs.

The London-born, Gibraltar-raised Albert Hammond had recorded in the late 1950s as a member of The Diamond Boys, but came into his own in the 1970s scoring numerous successes as a songwriter with partner Mike Hazlewood (The Hollies’ “The Air That I Breathe,” The Pipkins’ “Gimme Dat Ding,” The Fortunes’ “Freedom Come, Freedom Go”) even as he was carving out a successful solo career…

View original post 1,450 more words

Rodriguez Label Chief: ‘Our Dealings with Clarence Avant Were Always Positive’ | AUDIO KORNER

Light in the Attic’s Matt Sullivan, whose reissues prefigured the Oscar-winning documentary, laments the story’s tragic ending.

Matt Sullivan, 38, is a true believer. The head of Light in the Attic, the reissue label he founded in 2003 with partner Joe Wright in Seattle, released Sixto Rodriguez’s two albums, his 1970 debut, Cold Fact, and the 1971 follow-up Coming From Reality, in August 2008 and May 2009, just about the time the late Oscar-winning filmmaker Malik Bendjelloul began working on his documentary about the Detroit singer-songwriter who had become a cult figure in South Africa as a symbol of the fight against apartheid.

The first time Sullivan heard Rodriguez’s “Sugarman,” from a compilation sent to him by his friend, Irish producer/musician David Holmes, he was hooked.

“I couldn’t get enough of it,” says Sullivan who launched the label with This Is Madness, the 1971 sophomore record by hip-hop precursors the Last Poets, and has released more than 150 albums since.

Sullivan then e-mailed South African record store owner Stephen “Sugar” Segerman, who put him in touch with Rodriguez and his family, as the fan tried to figure out how to license the albums and get the musician, who didn’t make a penny from all the bootlegs sold in South Africa and Australia, paid.

The search brought him into contact with Rodriguez’s original producers, Dennis Coffey and Mike Theodore, and music business veteran Clarence Avant, the one-time Motown head who released the two Rodriguez albums on his own Sussex label, most famously the original home of Bill Withers.

Avant refused to answer Matt’s e-mails or phone calls, but Sullivan’s persistence finally landed him a meeting with the elusive label head, who agreed to meet during a wedding anniversary trip to Seattle. After seeing the kind of publicity Light in the Attic generated for its releases, Avant relented and consented to license the two albums to the indie company.

If there’s a villain in Searching for Sugar Man, it’s the flippant Avant, who brushes off talk of contracts signed 40 years ago, though, according to Sullivan, his attitude belies the fervent belief the executive had in Rodriguez and his music, going so far as to ask him to change his name to Jesus Rodriguez to avoid a previous publishing deal, a case now in the courts.

Read more at Rodriguez Label Chief: ‘Our Dealings with Clarence Avant Were Always Positive’ | AUDIO KORNER

Searching for Sugarman in Manila | a+arax:a

From a+arax:a

Searching for Sugarman is quite possibly one of the most moving documentaries of all time. Winner at the Academy, BAFTA and Sundance Film Festival Awards, the film also won rave reviews and other awards all across the US and around the world. The death of its young, talented director, Malik Bendjelloul, in Sweden last May only adds to the heartbreaking mystique of this project, which is bound to be a classic in filmmaking.

I heard about the film when it was nominated for the Oscar, and nearly watched it during a residency in Spain in January 2013, where one of the fellows was an Academy member and had brought along copies of films he was going to vote on. We never got the chance to watch it, and I must confess I wasn’t that interested in the film, my skepticism mostly coming from my distrust for the Academy, its hype and its marketing machine. I never thought about it until I heard of Bendjelloul’s death. I was in Paris, and the outpouring of emotion in the French online press rekindled my curiosity about the film.

A few days ago, I happened to find a copy of the DVD at the New York Performing Arts Library, and decided to check it out. As I was watching the documentary that evening, about fifteen minutes into the story, I nearly fell off my seat.

As many of you know, Searching for Sugarman is about Mexican-American songwriter Sixto Rodriguez, who released two albums in the early ‘70s to resounding indifference, and who sank to obscurity in the US. But not in South Africa, where, unbeknownst to him, he became a leading voice of the anti-apartheid movement, and where he was virtually a superstar. The film takes you through this fascinating narrative of rediscovery and resurrection, and gives you such a deep insight into the soul of this immensely gifted, humble and generous man.

The film plays much of his music as the soundtrack, and this was where my experience became my own personal journey of rediscovery itself. Back in 1971, the year before Marcos declared martial law, my siblings and I were big fans of this unknown, mysterious singer named Sixto Rodriguez. Like the South Africans, nobody in Manila knew who he was or where he came from. In fact, no one in Manila was even aware how popular his music was in South Africa. But he was possibly the biggest hit of that year, at least among a certain crowd of, shall we say, more sophisticated listeners. His single, the heart-rending I Think of You, played every hour on the hour over DZRJ and DZUW, the twin stations that, back then, played the most cutting edge music of the time. These were the only two stations my siblings and I listened to, and I would spend many hours just waiting for the song to come on. I remember my younger sister Diana coming home one day to tell me she had a surprise: I Think of You had just been released as a single, with the equally haunting To Whom It May Concern on Side B. We played the single over and over, never getting tired of it. Diana even learned to play the chords on a guitar, and often sang it to me. Plucking the opening bars of I Think of You became our standard for guitar playing: Diana did it well, but my fingers always got tangled and I sucked. We kept wondering who this singer was: I thought he was probably Filipino, possibly a reclusive artist from Baguio, where all the best folk singers were coming from. Diana managed to find a rather blurry picture in a local music magazine, and I thought that face confirmed my suspicion, that this was some kind of mystery Filipino artist. We even came up with a fantastic theory, that Rodriguez was probably the pseudonym of one of the DZUW DJs, and that his music was produced and recorded by the station itself, for why else would the other stations not play it?

I called my older sister in Los Angeles to tell her of my wonderful discovery. It turned out she and my oldest brother also were big fans of Rodriguez. My oldest brother, who back then had a rock and roll band, in fact used to play his music at the band’s gigs all the time. My sister, who used to deejay at DZUP, the student station of the University of the Philippines, had a copy of the entire album, Coming to Reality, and swears she had played the album so much at the station her copy was virtually all worn down.

The fate of Rodriguez’s music in Manila did not end as gloriously as it did in South Africa. In 1972, Marcos declared martial law and sequestered all radio stations. That put a definite end to any airplay of Rodriguez’s two hits (To Whom It May Concern was already starting to pick up a lot of notice as well). Marcos not only banned rock music, but also portraits of any musicians with long hair, calling the look decadent and demonic. Rodriguez, with his lush, long hair, would certainly have been censored. The military raided the UP campus, and I believe everything in the radio station was either confiscated or destroyed. I never knew, until I saw Searching for Sugarman, that most of Rodriguez’s music was anti-establishment and political, but perhaps the Marcos intelligence people knew, and that was enough reason to put him on the censors’ radar.

That definitely consigned Rodriguez’s music to extinction in Manila. But for years thereafter I continued to wonder who this musician was. I used to keep asking Diana, “Remember that Sixto Rodriguez, the brilliant guy who just vanished into thin air?” We didn’t know about the spectacular myths that sprouted in South Africa about his alleged death; we just presumed this guy probably just decided to stop singing, and wanted to be left alone.

Rediscovering Sixto Rodriguez in Searching for Sugarman has closed over forty years of wondering and questioning for me. I still love the music, anachronistic as it may sound today. These songs were part of the soundtrack of our years of innocence, the final year before the Philippines would be plunged into one of the darkest eras in its history. It amazes me to realize how, back then, we shared nearly the same aspirations as the South Africans, though their struggle was vastly different from ours. We wanted to change the world, we wanted love to reign supreme, and we paid attention to the musicians who told us we could and we should. We would never be so young or so hopeful again.

Eric Gamalinda

Malik Bendjelloul: Death of a filmmaker who told an extraordinary South African tale | Daily Maverick

From Daily Maverick

Malik Bendjelloul, the Swedish director of ‘Searching for Sugar Man’, has committed suicide aged 36. It’s just over a year since the documentary about folk musician Rodriguez won Bendjelloul an Oscar and captured the hearts of viewers all over the world. REBECCA DAVIS spoke to Bendjelloul’s subject and friend, Cape Town record-store owner Stephen ‘Sugar’ Segerman.

The last time I interviewed Stephen Segerman in his den in Oranjezicht, it was July 2012, just prior to the official release of Searching for Sugar Manin South Africa. At that time Segerman gave the impression of a man both bemused and exhilarated by the success of the film, in which he features prominently as one of two South Africans who made it their mission to track down Rodriguez.

Shortly before the interview, he’d been to the Sundance Film Festival with Bendjelloul and Rodriguez, where the film received a standing ovation. “It was just a magical night,” he told me at the time.

Watch: Searching for Sugar Man trailer

Almost two years later, the fairytale seemed even rosier. Searching for Sugar Man won the Best Documentary Oscar at the 2013 Academy Awards. Rodriguez, who languished in obscurity for years, today has fame and fortune locked down. It was the ultimate feel-good story.

And then, on Tuesday, shocking news broke: Bendjelloul, aged just 36, was dead.

“You know, with some people you have inklings and maybes. With Malik? Suicide? Impossible,” says Segerman, shaking his head. “I thought he must have died in his sleep or something. When I heard, well…” he trails off. “I’ve been seeing the comments. This dude had the world at his feet, he had an Oscar…”

Malik Bendjelloul was a teen actor in his native Sweden, starring in a show which Segerman describes as the Swedish version of America’s Family Ties. As an adult he worked as a TV reporter for Sweden’s public broadcaster, specialising in making short films about visiting rockstars. Then he left to travel the world, looking for richer stories.

Segerman first heard from Bendjelloul in late 2006, when he emailed the record-store owner to say that he was coming to Cape Town, and asked if they could meet. He had learnt about Segerman’s involvement in the Rodriguez tale through a piece in the Guardian, and wanted to hear more.

“At that stage we had a shop on the corner of Long Street with lekker big glass windows,” remembers Segerman. “I can still see him coming around the corner and saying: ‘Hello, I’m Malik!’”

In an interview with Movie Scope Magazine in July 2012, Bendjelloul described the encounter:

“I met Stephen ‘Sugar’ Segerman, the guy who first started to look for Rodriguez in Cape Town, and when he told me the story I was just blown away. It was just so beautiful and touching. Just the one-sentence summary was pretty strong: ‘A man who doesn’t know that he is a superstar.’”

For his part, Segerman instantly warmed to the lanky Swede.

“He just had such a lovely energy: tall, bright-eyed…He reminded me of Tintin,” he says.

Segerman took him up Table Mountain and Bendjelloul filmed a short sequence of Segerman telling the story of the hunt for Rodriguez. Then he disappeared off to Sweden, and Segerman didn’t hear from him for six months. At that point, Bendjelloul emailed to say: that’s the story we like in Sweden.

Bendjelloul returned to Cape Town and shot a one-minute trailer in Segerman’s den. He took it to the Sheffield Documentary Festival, where aspirant filmmakers pitch their stories. Bendjelloul won. A full-length documentary was on the cards.

Segerman points to a photograph pinned to a cabinet. It shows Segerman, Bendjelloul and camera woman Camilla Skagerström. “That was the team,” he says. “Just them. They came here and shot, then went to Detroit. There was barely any budget. Just – excuse the cliché – passion.”

rebecca-Malik-dies-better-days.jpg

Photo: Stephen Segerman, cinematographer Camilla Skagerström, and filmmaker Malik Bendjelloul, pictured in Segerman’s den in Cape Town.

In Detroit, there was the tricky business of persuading the reclusive Rodriguez to feature in the film at all. Bendjelloul worked his way in by meeting the musician’s family members one by one. He got his way eventually through sheer charm, Segerman says. Even so, filming Rodriguez had certain unique challenges. There’s a scene in the film where Rodriguez is fiddling with a video microphone while he talks. It still had to be used: there was no question of a do-over.

“There was always only gonna be one take,” Segerman chuckles. “No way was Rodriguez going to say all those things all over again.”

For over a year, Bendjelloul sat in his flat in Stockholm making the film. People promised funding and backed out. He ran out of money for animation, so he had to do the animation work himself. It’s the stuff of legends now that some scenes in the documentary had to be filmed using a $1 Super-8 iPhone app.

“That movie is sort of a bit jerry-built – kind of smashed together,” says Segerman. “I saw it for the first time and thought: That doesn’t look anything like movies I’ve checked, slick, beautifully-made documentaries!”

But the film’s sheer heart – and the incredible story it told – more than compensated for its technical weaknesses. Some suggested that the story was a little too incredible – that Bendjelloul had conveniently omitted aspects of the Rodriguez narrative that didn’t easily fit within the rags-to-riches trajectory.

“There were two main snipes about the film,” Segerman says today. “The first was that Rodriguez wasn’t actually an anti-Apartheid hero – which I never said. The other criticism is about Australia.” Bendjelloul’s documentary left out the fact that Rodriguez was aware that he had a major fan-base in Australia, and had toured there twice in the late 70s and early 80s.

“The simple explanation, which we spoke about, is that [Searching for Sugar Man] is about the search of two South Africans for Rodriguez,” Segerman says. “I found out about the Australian tour the night that I met Rodriguez for the first time, in March 1998. If I’d known, I would have tracked him through Australia! It was not part of our story.”

Segerman says Bendjelloul was unruffled by this criticism. “It made zero difference,” he says. “For him to create something which brought so much happiness into the world…Nothing could have bothered him about that.”

Segerman and Craig Bartholomew, the music journalist who also features in the documentary as instrumental in the hunt for Rodriguez, attended the Oscars with Bendjelloul last year.

From his wallet, Segerman extracts a piece of card on which he’d jotted down ideas for an acceptance speech for Bendjelloul, since the filmmaker hadn’t prepared anything.

“I’m superstitious about preparing speeches – this has been lucky for me,” it begins.

In the end, the laconic Swede didn’t need the prompt. “Oh boy!” Bendjelloul said when he won. “Thanks to one of the greatest singers ever, Rodriguez!”

There’s a photo in Segerman’s den of the three men tux-ed up, Bendjelloul clutching his statuette, at the prestigious Vanity Fair after-party.

“Just on my left side, over there,” says Segerman, pointing at the photo, “there was this old American dude. I thought: who’s that? He obviously wasn’t an actor.” He pauses. “It was Buzz Aldrin. For a baby-boomer like me, you don’t get any better than that. I met Buzz Aldrin, and then I went home.”

Interviewed by the New York Times in May last year as part of a list of ’20 Filmmakers To Watch’, Bendjelloul hinted at the surreal aspects of having made such a successful first film.

“Since everything was the first time for me, it was a bit confusing to understand what last year was all about,” Bendjelloul admitted. “To travel around with your film is a weird experience. Filmmakers are not musicians, they can’t perform their film; you don’t even need to load the projector. It was weird to think that that year was the reward for the work. But now I realise that it’s this year that is the reward. To feel free to do exactly what you want to do without feeling too scared that your ideas won’t interest anyone or worry about the rent or having to deal with people who think they know better.”

After the Oscars, Segerman says Bendjelloul was besieged with offers.

“Malik had been turning down a huge amount of stuff. He had a lot of offers of TV commercials, that kind of thing, but he wasn’t the type of guy to sell out. Your first full-length movie wins an Oscar! What the hell do you do for a second?”

In fact, for his next major project, Segerman said Bendjelloul had turned again to a South African story. He was working on a screenplay for a feature film inspired by the experiences of conservationist Lawrence Anthony, dubbed ‘the elephant whisperer’ for his work with traumatised elephants.

“He loved South Africa,” Segerman says. “I always say he should have been an honorary Capetonian. You have no idea how many people found out about Cape Town from his movie. He made it look so beautiful.”

Bendjelloul didn’t let his newfound fame go to his head, according to Segerman. “He always looked a little bit shy, a little bit awkward. It’s not an easy thing to deal with.”

Segerman was last in touch with the filmmaker last Monday, when the two had an email exchange about a legal dispute unfolding between two of Rodriguez’s old record labels. He says Bendjelloul gave no sign at all that anything was emotionally amiss.

“You know, through the film… My little record shop became a great little record shop. Rodriguez found his destiny. Malik, I thought, had found his,” Segerman says.

“You put something like that out there. The joy that I’ve got out of it – how much more so for Malik? And it wasn’t enough.” DM

Oscar winning Sugar Man director committed suicide | Channel 24

From Channel 24

Malik Bendjelloul. (Getty Images)
Malik Bendjelloul. (Getty Images)

Stockholm – Swedish director Malik Bendjelloul, who won an Oscar for his 2012 documentary Searching for Sugar Man, committed suicide in Stockholm, his brother said on Wednesday.

“I can confirm that it was suicide and that he had been depressed for a short period,” the 36-year-old film-maker’s brother Johar Bendjelloul told newspaper Aftonbladet. “Life is not always so easy.”

Bendjelloul was found dead in his apartment on Tuesday.

He won the Academy Award for best documentary feature last year for Searching for Sugar Man, telling the story of a musician who became famous without knowing it.

Sixto Rodriguez made two albums in the early 1970s but then quit music. After disappearing, his records became huge hits, particularly in South Africa.

“Searching for Sugarman” won various other awards, including best documentary prizes from Britains BAFTA and the Directors Guild of America, as well as two world cinema prizes at the 2012 Sundance Film Festival.

Rodriguez told newspaper Expressen that he was shocked over the filmmaker’s death following a concert in Chicago.

“Malik was a fantastic person,” he said. “He was both unique and very friendly.”

Born to an Algerian father and a Swedish mother in 1977 in the small southern town of Ystad, Bendjelloul moved to Stockholm as his career took off.

Inspired by Rodriguez:

He first discovered Rodriguez while travelling for six months in Africa in 2006, and was fascinated by his story.

Rodriquez, the son of a Mexican immigrant family, was discovered by two producers in a bar. They helped him record his first album, Cold Fact, in 1970.

It was a critical success, but did not sell well. His second album, Coming from Reality also showed talent, but flopped commercially.

Rodriguez gave up his musical ambitions and ended up working in the construction industry.

But while his records failed to take off at home, a bootleg copy made it to South Africa where it struck a chord with progressive young whites exasperated with the apartheid system.

With the artist untraceable, bizarre stories began to emerge about him, including one that claimed that he had committed suicide by setting himself on fire on stage.

In the end, the curiosity of two young fans broke through the myths: they found he was still alive, living in the United States. They brought him to South Africa where he was greeted as a hero in 1998, playing six sold-out concerts.

Searching for Sugar Man tells the story of those two fans’ search for Rodriguez, and of his musical renaissance.

Since the film gained international success, Rodriguez has relaunched his career filling arenas with new fans.

 

– AFP

 

Oscar-Winning Director Malik Bendjelloul Dead: 5 Fast Facts You Need to Know | Heavy

From Heavy

The Oscar-winning movie director Malik Bendjelloul has died at the age of 36, reports The Associated Press. The Swedish director won the 2013 Academy Award for Best Documentary Feature for his documentary Searching for Sugar Man. Prior to his death, Malik was working on a new project, a documentary about Lawrence Anthony, the man who believed he could talk to elephants.

Here’s what you need to know:

1. It’s Unknown How Bendjelloul Died

Malik Bendjelloul Death

The circumstances of Bendjelloul’s death are unknown. His passing was confirmed by Malik’s brother, Johan, who was speaking to Omni. He said simply, “My brother is dead. The family wants to be left alone in their grief.”

His friend, journalist Hynek Pallas, who accompanied Bendjelloul to the Oscars, called his friend“modest” and “a skilled storyteller.”

Police do not suspect any criminality in the death, according to the Swedish tabloid Expressen.

2. He Was Found Dead in Sweden

Malik Bendjelloul

Bendjelloul was a native of Sweden and died in Stockholm on May 13. His body was found by police in the Swedish capital. Malik was born in the town of Ystad in 1977 in the southern part of the country.

3. His Documentary Won a String of Awards

Searching for Sugar Man Malik Bendjelloul

In addition to his Oscar, Searching for Sugar Man won a BAFTA, a Director’s Guild award, a Producer’s Guild award, a Writer’s Guild award and the 2012 International Documentary Association award. The story of the movie dealt with two South African’s searching for their musical hero, Sixto Rodriguez.

Amazingly, Bendjelloul ran out of money toward the end of filming and was forced to finish recording the movie on an app from his iPhone. His victory at the 2013 Oscars was the first time in 61 years that a Swedish movie won a documentary Academy Award.

Malik Bendjelloul Dead: Pictures to Remember the Influential Director

Malik Bendjelloul, the award-winning documentary filmmaker, died at the age of 36. Here are the best photos to remember the ‘Searching for Sugar Man’ director.Click here to read more

4. He Was the Son of a Doctor & an Artist

Malik Bendjelloul

Bendjelloul’s father was an Algerian-born doctor and his mother was a painter, Veronica Schildt.He studied journalism in college, where he got his start in documentary film-making in Swedish television. His early documentaries were about music stars like Elton John, Kraftwerk and Bjork.

5. He Was a Child Actor

Malik Bendjelloul

Before going into directing, Bendjelloul was a child actor. He was most famous in his homeland for his role in the TV show Ebba and Didrik, in which he played the role of Phillip.

Mabu Vinyl featured in 40 Things To Do In Cape Town Under R200 | Travelstart

From travelstartblog

We’re almost halfway through 2014 and Cape Town is still enjoying the spoils of the momentum she’s gathered from numerous international press mentions from the New York Times to TripAdvisor and The Telegraph. Cape Town is now firmly on the world map as a destination unmissable. Table Mountain now joins the likes of the Statue of Liberty, The Gherkin, the Eifel Tower, Burj Khalifa, Sydney Opera House and the Shanghai Tower; a newly tacked on natural edifice on the tapestry of the world’s iconic cities.

But what lies beyond its beautiful mountain, historical Robben Island, wine regions and most popular sights? With this comprehensive list of alternative things to do in Cape Town we encourage you to explore the other side of the city. Discover Cape Town’s unique culture, people and history through outdoor activities, restaurants and bars and museums. We help you uncover 40 places around Cape Town to eat, play, shop, celebrate and relax, as well as an attractive smattering of free things to do in Cape Town.

Browse and buy vinyl at Mabu

Mabu Vinyl Cape Town

Cost: Vinyl – from R50 to R600. Shooting the breeze with Stephen – priceless.

The art of record collecting is alive and well in Cape Town City Bowl where Mabu Vinyl is at the forefront of this niche sub-culture. Stephen Segerman of Searching for Sugar Man fame is co-owner of the store and is usually available for a spirited chat about the 2012 hit movie in which he featured. Mabu stocks a rare selection of classics with a catalogue including second-hand records, books, comics, CDs, DVDs and cassettes. The store in Gardens is open 7 days a week.

Contact: 021 423 7635  | View location

“There’s a hunger for documentaries online,” says Searching For Sugar Man Producer | NFTS

From NFTS

ACADEMY AWARD-WINNING PRODUCER SIMON CHINN SPEAKS AT NFTS FILM CLINIC

“There’s a hunger for documentaries online,” says Searching For Sugar Man Producer

Simon Chinn, the double Academy Award winning producer of Searching For Sugar Man and Man on Wire has told up coming documentary-makers to look to the ‘small screen’ when making films in future.

Speaking in conversation with Dick Fontaine, NFTS Head of Documentaries at an NFTS Film Clinic event, hosted at Google UK HQ in London, Simon Chinn, said although documentary films could still be theatrically released, the landscape of distribution was changing. Chinn recently launched a new company, Lightbox, to create high quality non-fiction content for the international television and digital marketplaces.

He added: “There is a hunger for documentary content for the small screen, especially from American online companies such as Netflix, Amazon and Xbox. New opportunities are emerging online for a diversity of documentary makers and new audiences are opening up. The public wants more documentary content, partly driven by reality TV. But the bar has risen; documentary makers have to tell stories in an even more entertaining and emotionally engaging way than fiction.”

Read more >>>

Rodriguez – The Searching for Sugar Man Tour + Chloe Charles Sunday 9 March | 7:30PM | Serious.org.uk

Rodriguez
Rodriguez

BOURNEMOUTH International Centre 

Exeter Road
Bournemouth
BH2 5BH

After the huge success of the BAFTA and Oscar award-winning film Searching for Sugar Man, Rodriguez returns to the UK for three special shows with his band.

‘When the main set concluded to rapturous applause, Rodriguez stepped forward to the microphone and simply said: “You’re welcome. It’s been a pleasure and a privilege.” Which is exactly the way we felt. I’ve never experienced anything like it at any gig I’ve ever been to.’ (London Culture)

Chloe Charles will open the show following two completely sold out performances at the EFG London Jazz Festival. She challenges all the stereotypes of black female singers, playing stunning classical guitar and writing songs that evoke the sound of fellow-Canadian Joni Mitchell.

From http://www.serious.org.uk/events/info/rodriguez-the-searching-for-sugar-man-tour-support1

Sugar Man Arrives – Rodriguez Plays Radio City Music Hall in NYC | Join The Rukkus

Rodriguez

There are certain experiences one can only have in New York City, and can only truly appreciate when they happen to you. I was sitting at my favorite bar in midtown on a Wednesday evening a few weeks back – it’s hard to find a good bar there, but I have a dive in the heart of it all that I often escape to. My favorite seat is at the bar located right next to the door for an easy escape or occasional cool breeze for when the bar gets too hot.  On this particular night, I switched it up from my usual scotch to tequila on the rocks…I guess, it felt like a tequila-sort-of-evening.

An Unexpected Show: Rodriguez at NYC’s Radio City Music Hall

I didn’t see them when they came in, but a couple, in their late-forties/early-fifties, had walked in and ordered two tequilas, neat.  They looked like the kind of people who had stories to tell of the “trouble” they had gotten into back in their day, and how it lead them to where they were at now, happy and married.  They seemed particularly aggravated by something that had just happened, yet still had a calm and pleasant demeanor as they sipped their Patron. “See if he wants them,” the women leaned in to the man and said, indicating me. I smiled and pretended I didn’t hear anything.

The man looked at me, leaned over and said, “Do you like Rodriguez?” “Uhh…Yeah! Searching for Sugarman was beautiful and his lyrics are amazing,” I responded. “Well, how would you like to see him live in about 15 minutes for free?” he said as he slid two tickets across the bar to me. “They’re pretty good seats too,” he added as if he had to sell me on the offer.

“We waited in line outside Radio City Music Hall and I have to tell you, I’ve seen a lot of live music in my day but I’ve never had to wait in a line like that. After awhile we just said ‘screw it’ and headed back to our hotel which is right across the street. I bet if you leave in 10 minutes you will just walk right in.” Amazed at their generosity and kindness, I bought them a round, briefly chatted with them and then ran as fast as I could to Radio City Music Hall while frantically texting my girlfriend to come meet me.

Read more at Join The Rukkus

Website Powered by WordPress.com.

Up ↑

%d bloggers like this: